Jeff Duntemann's Contrapositive Diary Rotating Header Image

Odd Lots

  • Stumbled across a spectacular site devoted to WW-I era military aviation. These guys restore and actually build faithful replicas of things like the Sopwith Triplane. Go through the photo albums if you have any least interest in such things.
  • Harry Helms asks if Götterdämmerung will occur on September 10. Maybe in Europe, but not over here; Americans can't even spell “physics” much less Gotter…well, you know, Wagner's Really Big Show. Hey, I survived the 70s—strangelets don't bother me.
  • Owen Shurson sent me a link to Magic Angle Sculptures, and forsooth, I have never seen anything quite like it before. Basically, you have bizarre 3-D sculpture things that cast morphing shadows under bright light. Watch the video.
  • Don Lancaster reminded me that a “spandrel” (see my entry for September 1, 2008) is a medium-sized hunting dog that comes in two varieties: Crocker and Springy.
  • Mike Reith told me about a free alternative to Camtasia Studio, for recording on-screen activity to use in demos or tutorials. I really need to study video—yeah, I know, I told myself that four years ago—and this is high on the list of video things to play around with.
  • So far, I've run across only one voice-training product, Singing Coach Unlimited, a $99 item that may or may not teach harmony. (Doesn't look like it.) Many thanks to Larry Nelson for the pointer. We still may need Harmony Hero.
  • I was contacted by a woman whose parents were very close friends of John T. Frye. She sent me a scanned newspaper clipping from 1962, showing Frye at his typewriter, and ferdam if he doesn't look like a grown-up version of the canonical drawing of Jerry. More on this as I digest all she sent me. I'll update the Carl & Jerry page sometime this coming week.
  • Pete Albrecht sent me a link to a page of Photoshopped Far Side tributes. Alas, no sign of “Welcome to Hell. Here's your accordion.”
  • There will apparently be an all-electric version of the Smart Fortwo to go nose-to-nose with GM's Volt. Let's hope they call it the Ohm. Resistance is Futile.
  • Eggs apparently are much healthier than we thought they were—but just tasting sweetness may cause metabolic disruptions. Crap, how will I live without Diet Citrus Drop? I shouldn't worry; by next week eggs will be deadly again and diet sodas will get a clean slate.
  • I've pretty much decided that Contra and much of my other Web content will go into a CMS over the coming year. So far Drupal is the top contender. In the meantime, I'm brushing up on my CSS.

St. Peters, and a Miracle Voice Teacher

It’s been a low-energy and off-my-peak couple of days here for reasons I won’t bore you (or gross you out) with. Had to take a run up to Denver, but mostly I’ve been sitting quietly and reading. I finished a book that I don’t really recommend unless you’re chained to the potty and need to kill time: Basilica by R. A. Scotti is a popular history of the construction of the second St. Peter’s Basilica in Rome, the one that we all know and love, which supports the largest church dome in the world. The book is competently written, but it’s a little thin on details of the construction itself. Ms. Scotti is much more interested in politics and personalities, and in truth I did learn a lot about Bramante, Michaelangelo, Raphael, and Bernini (and more than a few popes) that I didn’t know before. But she has no good head for architecture, and does not define any terms. I kept flipping into a wonderful DK book called The Visual Dictionary of Buildings to clarify certain elements of church architecture. Now that book I recommend, especially if you’re a writer trying to set a scene in a complicated building and aren’t entirely sure what an oculus is. (Or—quick, now!—define a “spandrel”.) There are some factual errors in Basilica, one of the worst of which suggests that poured concrete was used in some places in St. Peter’s. Not so—poured concrete was an ancient technology that was lost after Imperial Rome came apart and was not recovered until the 19th Century, or pretty close to it. St. Peter’s was built almost entirely of mortared masonry and sculpted stone.

If you’re interested in the peculiarities of St. Peter’s Basilica, a better book is The Bones of St. Peter by John Evangelist Walsh, which speaks of the excavations under the main altar just before WWII. The Basilica was built over a Roman graveyard, and there was a lot of fascinating stuff under the floors. More about the Shroud of Turin than about the Basilica is Holy Faces, Secret Places by Ian Wilson, of which I reread a considerable chunk. However, Wilson speaks of the countless weird little crannies in the Vatican complex, in which a lot of interesting things, and not only relics, may be hiding. Secrets are not good in religion for many reasons, but mostly because secrets are a power thing, and power corrupts spiritual organizations mortally. (See Encountering Mary by Sandra Zimdars-Swartz for a good discussion of this problem.) Wilson is a marvelously engaging writer, and potty reading doesn’t get a whole lot better.

I also reread several sections in Peter Ochiogrosso’s fascinating 1987 book Once a Catholic, in which a number of famous Catholics and (mostly) former Catholics explain what sorts of marks their Catholic upbringing left on them. The book is not explicitly about the gulf between Tridentine (i.e., Latin) Catholicism and Vatican II Catholicism, but the demographics of the people the author chose to interview almost guarantees it. Like them, I grew up Tridentine, and like them, I know what we lost, and why. (Not all that was lost was good; in fact, a good deal of what we lost was desperately in need of losing.) The book is secular in approach and intent, and does not preach, in either direction. It’s a character study, of real characters. (One of them is George Carlin.) Highly recommended, and I think I’ve spoken of it here before.

All these books but Basilica are currently out of print, but cheap on the used market. Reading them was research for a current project of mine—Old Catholics. (Nothing makes you a better writer than simply reading, and reading a lot.)

Finally, I’ll throw out an idea I had yesterday, for an invention I wish someone would get to work on. I want something I might charactize as a Miracle Voice Teacher. I want a program that will put a musical score on the PC screen and listen to me try to sing it. The program should average the frequencies that come in from the mic and put a line above or below a note in the score, telling me whether I’m high or low. It should have a metronome, and the ability to play the score as MIDI. It should be able to record what I sing and play it back for me, showing me on the screen where I botched the melody.

And if that’s possible, then the program should be able to teach me how to harmonize, by isolating one of the melodic lines and allowing me to sing it, and then gradually adding in the other lines in the headphones while I try to stick with my own line and not get confused. Scarily, such a thing would allow me to sing four part harmony…with myself. The world may not be quite ready for that, but at this juncture I think I am. I went looking for the product and didn’t find it, but if you know of something along those lines, I’d like to hear about it.

Souls in Silicon in All major Ebook Formats

My SF collection Souls in Silicon (which I described in my August 19, 2008 entry) is now available from Lulu as a single downloadable ZIP containing all the major ebook file formats. These formats include:

  • .DOC: MS Word 2000
  • .RTF: Rich text; loads in nearly all word processors
  • .LIT: Microsoft Reader
  • .LRF: Sony Reader
  • .PRC: MobiPocket
  • .PDF: Fixed-page Adobe Reader print image
  • .HTML: Web browser

I consider these to be the most important ebook formats now in use outside of the more or less separate Kindle universe. All files are DRM-free.

When the book was first released, I configured the Lulu catalog item so that it would sell the PDF print image as a download. This was a mistake, because fixed-page PDF files are not very good ebooks if you're using anything smaller than a laptop or a tablet, and the download PDF option implied that PDF was all that you could get.

So I disabled the “download PDF” option from the Lulu sales page for the printed book, and created a new Lulu product consisting of the ebook edition ZIP file. The price is $3.99 for the ZIP, just as it was for the PDF print image. If anyone reading this bought the print image and would like the ZIP with all the other ebook file formats, just shoot me an email and I'll send it to you. (The ZIP contains the PDF print image as well as the reflowable file formats.)

Big thanks go to John Ridley for putting me on to the Calibre ebook toolset, which converts very cleanly from a Microsoft Reader .LIT file to the Sony Reader .LRF file. Odd tools like that are popping up constantly in the ebook world, and it's hard to stay ahead of it all.

If you mention Souls in Silicon somewhere, even if you only saw the print edition, please indicate that it's available in an ebook edition as well. Thanks!

I'm hard at work on my second collection, which I will (probably) call Cold Hands and Other Stories. Much depends on whether or not I decide to include my short novel Firejammer, which is a YA item and may be better off on its own or with something else like it. With Firejammer the collection would be a little long; without Firejammer, it would be a little short. (25,000 words makes a difference!) I'll keep you posted.

Odd Lots

  • We have lost another Duntemann, in a world where there have never been many: John Philip Duntemann of Des Plaines, Illinois died this past Monday night, of cancer. He was 83. John Phil (which is how he was known in our family) was a strong and gentle man, my father's first cousin, who raised seven children and saw them earn a collection of advanced degrees like I have never seen in a single household. (Most of the Duntemanns you see online who aren't me are his children.) John was in England during the Blitz, and tells the story of how he heard an odd noise at one point while working on a piece of construction machinery, put his wrench down, looked up, and saw the guldurndest little airplane fly thirty feet over his head, to go on another mile or so and explode. It was a Nazi V-1. He didn't know that he was experiencing history; he would say he that was just doing his job. (I'd prefer not to live that kind of history!) Godspeed, John. Mission accomplished.
  • Pat Thurman K7KR sent me a link to a nice set of reviews of Chicago restaurants.
  • Also from K7KR comes word that Tom Kneitel has left us. Tom was a wickedly funny writer from the heyday of CB and build-it-yourself electronics, and I used to read his column in Electronics Illustrated before I looked at anything else. (In flipping through some old issues this morning, it sounds weirdly like a blog.) Oddly, his most famous book was a small press thing about how to listen in on other people's cordless phones, which was evidently quite a hobby in the 80s and 90s, when they were basically FM walkie-talkies. He was also the grandson of cartoonmeister Max Fleischer.
  • If you were ever asked to carry around $1000 as either dimes or quarters, which would you pick? Now you don't have to do the math. Hint: It's a…coin toss. (Thanks to Jim Strickland for the pointer.)
  • The world's longest novel is SF—and it's about mutant cicadas—or something. 12.6 million words. At least he sounds like he's having fun. (Thanks to Pete Albrecht for the heads-up.)
  • This face-animation technology seems awesome on the face of it (as it were) but in reading the explanation, it sure starts to sound like his-res rotoscoping to me. Hey guys, do it without a model reading the lines for you, and I'll be much more impressed.
  • I'm having hosting service problems here—have had them for some time, actually—and will probably jump to another service in coming months. I'm considering using Joomla to host Contra and my photo galleries, and create an online SF workshopping system. I'm tired of editing Contra by hand, but I'm unwilling to have its primary instance outside my control, as it would be if it lived entirely on LiveJournal or Blogger. Anybody out there have any thoughts on Joomla as a platform for this sort of thing?

Review: Irreconcilable Differences

One reason I like Jim Strickland's fiction is that I like the way he thinks. He and I look at the future and draw a lot of the same conclusions. I understand his logic, and that helps me appreciate the stories he tells, even if I myself would not tell them in anything like the same way. Being able to toss ideas around with him in person helps a lot; we workshop together, and I've learned quite a bit watching him hone his style.

So we come to Irreconcilable Differences, which was released at the publisher's frontlist party at Denvention a few weeks ago. As with his first novel, Looking Glass, we have a police mission in a now+20 near future in which the world has boiled over but not burned. The US has split into several pieces along tribal lines, and various interests are trying to bring the world into a new equilibrium. Chief of these is Interpol Covert Services, which is paying particular attention to activities on the Internet. As a means of cracking a particularly difficult case, Interpol has gone deep bleeding edge and uploaded the mind and memories of one of their toughest agents into a 16-year-old hacker girl who got caught, and agreed to the mission as part of a plea bargain. The agent is Rachel Santana, who's lived a little too much; the girl is Micki Blake, who has barely lived at all. The two coexist in a single body, Micki in her own brain, Rae in a block of high-performance synthetic nerve tissue inserted surgically. They communicate internally through a sort of VR boundary zone called the gestalt, which is more than conversation but not quite telepathy. With Rae on board directing the show, Micki returns to her small-town hacker group, a little bleary but suspecting that she's not in Kansas anymore.

Except that she is. Micki is a Kansas farm girl (from a farm that harvests the wind as much as meat and grain) and the action is out on (and under) the Kansas plains. Micki/Rae ride with the rest of their gang along dirt roads in a ramshackle Winnebago RV full of state-of-the-art networking gear stuffed in a closet, ducking in and out of the Net as needs require. The rest of the story is nonstop action taking place at several levels, with some diabolical twists and turns that I'll leave for you to discover.

Where we may also not quite be anymore is cyberpunk, even though that's how Jim characterizes the novel. There's lots of exhaustively researched cyber here, but very little punk. The American culture of the plains has mutated in some ways, but it's not the oh-so-precious Gibsonian San Francisco noir that always makes me giggle a little when I read it. Kids still ride on school buses and go to dances—and now help one another keep the family wind-turbines turning. The rural character of the future is an intuition I had 20 years ago: Once the Net genuinely fuzzes out the idea of physical location, the real action will be where the food and the energy come from. Cities produce nothing but proximity—and once proximity ceases to be a core value, life on Earth will change radically, especially if even minor cold wars heat up a little. Maybe a better word would be “cyberbilly.” I think of it that way; the heartland has more head than the headland will ever have the heart to admit.

One of the few downsides to the novel is that it's too short to give us as much flavor for this future world as I'd prefer. Jim has rightfully emphasized the questions of what it's really like to be a copy of a human being—something most cyberpunkers and transhumanists take for granted and never think too deeply about. Rae's struggles with this issue of self are mirrored in Micki's struggles to appreciate the self that she has, and the two are inadvertent agents in one another's healing processes. The story is a personal one, intense and immediate. Another 50,000 words would have fleshed it out, but also slowed it down. It's a conundrum that every good writer has to confront eventually. I think Jim made the right choice here. He will have future novels in which to develop the world as a whole, and I'm patient enough to wait for them.

Jim gets extra points for appending a glossary to the end of the novel, summarizing the technological and cultural ideas he's presented through the story, along with quick brushups on networking terms. You may need it; this is one of the most unabashedly technical novels I've seen in a long time, and for a hard SF guy like me, well, that's simply delicious.

In short, highly recommended.

Odd Lots

  • I lived in Scotts Valley, California for three years, and I never once heard of Axel Erlandson, an arborsculptor (that is, a person who coerces trees to grow in odd or artistic ways) who had a roadside attraction of sculpted trees in Scotts Valley from 1955 to about 1970. Not as weird as the Mystery Spot and clearly not weird enough for the Santa Cruz vicinity, the Tree Zoo was not a success, but some of those trees are mighty odd.
  • There's a PDF document detailing name changes to Chicago streets here, and it explains who or what some of Chicago's streets were named after. The street where I grew up, Clarence Avenue, was named after a river in Australia. Kedvale, the street on which my grandparents lived, was an Anglicization of an Indian term for the print of a moccasin in damp ground. (Hence those shoes named “Keds.”) Thanks to Pete Albrecht (another old Chicago boy) for the link.
  • From the Some People Have All The Fun Dept.: Walter Jon Williams got himself and several other SF writers a tour of the NORAD facility inside Cheyenne Mountain, during this recent Worldcon. How they pulled it off isn't clear; I was told by people who have reason to know that they're just not doing tours anymore. (And sheesh, I only live about 3/4 of a mile from the Big Iron Door!) Thanks to Jim Strickland for letting me know.
  • Bill Higgins sent a link to an interview with Wayne Green in ComputerWorld. Ol' Wayne is now 86 and still out there, supporting weird causes and making a ruckus–just not in the magazine business anymore. I'm fond of the guy because he bought my very first published article in the fall of 1974, and quite a few others in subsequent years. His legend counfounds historians; I've gotten many different opinions on just how much he had to do with Byte. I still have a very funny but weird little book called See Wayne Run by Gordon Williamson that suggests that he had little or nothing to do with Byte, but other people with reason to know claim otherwise. Here's some useful reminiscence/discussion; see especially the comment by Harry Helms W5HLH.

Souls in Silicon

Many things have conspired to slow me down since Worldcon, but I've begun to catch up, and this morning I finally got Souls in Silicon uploaded to Lulu and ready for sale.

The book is a collection of all my published stories (plus a new one) about strong AI. Some may be familiar to you (like “Guardian,” which was published in Asimov's in 1980 and appeared on the final Hugo ballot in 1981) but some of it appeared a long time ago in markets that paid real money but were obscure or problematic in various ways. Jan Howard Finder's hardcover anthology Alien Encounters published “Marlowe” in 1982, but the only sales report I ever saw indicated that it had sold 125 copies. Ditto Larry Constantine's Infinite Loop, another hardcover anthology. It put “Bathtub Mary” into print in 1993, but there were shelving issues (bookstores thought it was a computer book because it was published by Miller Freeman) and the only time I ever saw it in stores was next to a pile of C++ tutorials. So it was time to get them all available again, in a single presentable volume that will never go out of print. The cover art is by Richard Bartrop. 188 pp. $11.95 print; $3.99 PDF download. No DRM.

The collection includes:

  • “The Steel Sonnets” (1975)
  • “Guardian” (1980)
  • “Silicon Psalm” (1981)
  • “Marlowe” (1982)
  • “Borovsky's Hollow Woman” (with Nancy Kress; 1983)
  • “STORMY vs. the Tornadoes” (1990)
  • “Bathtub Mary” (1993)
  • “Sympathy on the Loss of One of Your Legs” (2008)
  • …and an excerpt from my nanotech AI novel, The Cunning Blood (2005)

The book is currently available only from Lulu. I'm working on getting it ISBN-ized and converted into all the major ebook formats, and with some luck into Amazon's Kindle bookstore. I'm planning a second collection for the fall, containing all the rest of my published SF and a couple of new items. The title and and contents of that one depend on several decisions I haven't made yet, but I'll keep you posted. As always, reviews or simply blog mentions would be greatly appreciated.

Odd Lots

  • Wired ran a nice piece on how little we know about brain function—and therefore how silly it is to claim that we'll have “superhuman” computation by 2020. If we can't model it, we can't duplicate it, and the model has proven extremely slippery. Good-bye singularity, not that it ever made much sense even granting astonishing increases in computer power.
  • Here are some nice comparison tables showing how the pricing models of the leading POD houses affect publisher take-home revenues at various sales levels.
  • I now have a photo of John T. Frye on my Carl & Jerry page, in case anyone wondered what the man himself looked like. Many thanks to Michael Covington for processing the scan for me.
  • Vista is not bulletproof, Microsoft's assurances to the contrary. (Thanks to Pete Albrecht for the link.)
  • I'm not quite sure what it's good for, but damn, this is as fun as it is weird. (Thanks again to Pete.)

Off By One Error

Carol and I got up at 3:30 AM last night and found the skies crystal clear, so we hauled out onto the back deck in our fuzzy robes (along with a couple of doubtless-puzzled bichons) sat down in two of the patio chairs, and leaned back, facing generally east. The Perseids did not disappoint; in forty minutes we saw twenty or so, and most of them were quite bright. We didn't have access to the whole sky with the house behind us, so I'm sure we missed quite a few. Still, the count is about in line with what we've seen in past years, and for Carol and me (and the Perseids) there have been a lot of past years.

In fact, I'm pretty sure we watched them from her back yard two weeks after we met in 1969, though not at three in the morning. No matter. I see meteors almost any time I spend more than a minute or two scanning the skies, even from as light-befouled a place as the close-in Chicago suburbs. One reason Carol came to love as scruffy and odd a specimen as me was that I was willing to talk science with her. I pointed out the constellations to her, and dragged my junkbox telescope out into her driveway to show her the moons of Jupiter. Over the years, the Perseids have become something of a tradition for us.

I have a talent for pastiche, and when I was young it was almost a compulsion: If I read enough of something I almost always tried to imitate it, with greater or lesser success. During my sophomore year in the English Literature program at De Paul I was taking one damned poetry course after another, so it was inevitable that I would try my hand at poetry. During my Robert Frost period (which was roughly the last three weeks of April, 1972) I penned a lot of metered drivel in down-home country dialect. One effort was a sonnet, just so I could say I had written a sonnet. Even though I was a New Formalist long before there was a New Formalism, I knew the Prime Directive of modern poetry (Thou Shalt Not Rhyme) and withheld any rhyme until the final couplet. I gave the poem to Carol the night we watched the Perseids from my parents' summer home at Third Lake, Illinois:

Perseid

I saw a shooting star last night, you see.
It bothered me to think that golden streak
That split the sky half-raw and hung awhile
As though to rub the wound with pale white salt
Was washed clean-gone by night's soft-rushing flood
In just the time you'd take to poke the coals.
You know, they say it's just a grain of sand
So small you'd never see it in your cup
Once all the tea was gone. I wonder now
What made God give a speck like that such spunk
While here I balk and eye our road so roundly…

You know, I think I'd not so fear the night
If, going out, I knew I'd make such light.

Carol read it appreciatively (as she always did, irrespective of what it was I had handed her) and then, giving me a peck on the check, asked, “Don't sonnets have 14 lines?”

“Well, sure!” I said, taking the sheet back from her hands. A quick count reassured me that it had…13 lines. Damn.

Ever since then, I've been famous around the house as The Guy Who Writes 13-Line Sonnets. Clearly, rhyme was good for something—like helping numerically illiterate poets keep track of the number of lines they were producing. After that, I returned to my more freeform e. e. cummings period (which had been the first three weeks of May, 1972) until I found the wisdom to understand that I was a better astronomer than I was a poet. I've stopped writing poems, but the Perseids—heh, like Carol and me, that's forever.

Odd Lots

  • I'm a sucker for a Depression-era railroad oddity called the Galloping Goose, which is a stitched-together Frankenrailcar made of bus and truck parts and other odd bits. Pete Albrecht sent me a link to a nice history/photo site, revealing something I had not known: That there's a Goose still running and giving rides, down in southwestern Colorado. Won't happen this year, but next year fersure!
  • The Perseid meteors hit their peak tonight; they're very reliable and I've watched them pretty regularly for almost forty years. As with most meteor showers, they're at their best in the very very early morning, within two hours of when the sun rises. However, there will be little skysplatters going off all night long, and after the moon gets down in the west, you'll see more of them. Whenever you can get somewhere dark, break out a lawn chair or just lie back in the grass and look generally toward the east. I doubt you'll be there more than ten minutes without seeing at least one, and they can surprise you by coming in bunches. It's not as mathematical as an eclipse or an occultation. You just won't know until it happens. (PS: The Sun is still blank!)
  • I accidentally deleted a bunch of fonts that I was bringing back from Chicago, but a nice free undelete app named FreeUndelete saved my clumsy bacon. It's not a no-install app, but it's pretty lightweight, and works like a champ. Free for personal use. Recommended.
  • Several people have mentioned Lexcycle's Stanza ebook reader app to me in recent days. I downloaded it earlier today and installed it downstairs on the XP lab machine (it's another app that claims not to support Win2K) and I will say, it has some promise. It does require the Java Runtime, and it certainly needs to do a little growing up, but I'm glad to see any serious effort to build a universal reader app for ebooks.
  • And while we're talking books, take a look at Zoomii, a Web front end for Amazon that shows books on shelves bookstore-style, though every one is face-out. (Now that's a switch!) You can zoom around and click on a book to get the details. The shelves come up zoomed back enough so that the covers are undiscernable smudges; make sure you click on the plus sign in the navigation cluster to bring the display in close enough to read them. I found this fascinating and fun (at least for the ten minutes I spent on it) though I don't know whether I'd use it except for the serendipity value. However, given that Amazon sells books that will never see the inside of a bookstore, Zoomii may bring back the importance of cover design to small and very small press books.