Carol and I got up at 3:30 AM last night and found the skies crystal clear, so we hauled out onto the back deck in our fuzzy robes (along with a couple of doubtless-puzzled bichons) sat down in two of the patio chairs, and leaned back, facing generally east. The Perseids did not disappoint; in forty minutes we saw twenty or so, and most of them were quite bright. We didn't have access to the whole sky with the house behind us, so I'm sure we missed quite a few. Still, the count is about in line with what we've seen in past years, and for Carol and me (and the Perseids) there have been a lot of past years.
In fact, I'm pretty sure we watched them from her back yard two weeks after we met in 1969, though not at three in the morning. No matter. I see meteors almost any time I spend more than a minute or two scanning the skies, even from as light-befouled a place as the close-in Chicago suburbs. One reason Carol came to love as scruffy and odd a specimen as me was that I was willing to talk science with her. I pointed out the constellations to her, and dragged my junkbox telescope out into her driveway to show her the moons of Jupiter. Over the years, the Perseids have become something of a tradition for us.
I have a talent for pastiche, and when I was young it was almost a compulsion: If I read enough of something I almost always tried to imitate it, with greater or lesser success. During my sophomore year in the English Literature program at De Paul I was taking one damned poetry course after another, so it was inevitable that I would try my hand at poetry. During my Robert Frost period (which was roughly the last three weeks of April, 1972) I penned a lot of metered drivel in down-home country dialect. One effort was a sonnet, just so I could say I had written a sonnet. Even though I was a New Formalist long before there was a New Formalism, I knew the Prime Directive of modern poetry (Thou Shalt Not Rhyme) and withheld any rhyme until the final couplet. I gave the poem to Carol the night we watched the Perseids from my parents' summer home at Third Lake, Illinois:
Perseid
I saw a shooting star last night, you see.
It bothered me to think that golden streak
That split the sky half-raw and hung awhile
As though to rub the wound with pale white salt
Was washed clean-gone by night's soft-rushing flood
In just the time you'd take to poke the coals.
You know, they say it's just a grain of sand
So small you'd never see it in your cup
Once all the tea was gone. I wonder now
What made God give a speck like that such spunk
While here I balk and eye our road so roundly…
You know, I think I'd not so fear the night
If, going out, I knew I'd make such light.
Carol read it appreciatively (as she always did, irrespective of what it was I had handed her) and then, giving me a peck on the check, asked, “Don't sonnets have 14 lines?”
“Well, sure!” I said, taking the sheet back from her hands. A quick count reassured me that it had…13 lines. Damn.
Ever since then, I've been famous around the house as The Guy Who Writes 13-Line Sonnets. Clearly, rhyme was good for something—like helping numerically illiterate poets keep track of the number of lines they were producing. After that, I returned to my more freeform e. e. cummings period (which had been the first three weeks of May, 1972) until I found the wisdom to understand that I was a better astronomer than I was a poet. I've stopped writing poems, but the Perseids—heh, like Carol and me, that's forever.
While filling up at the local Shell station for the last stretch home, I spotted the item at left used as a traffic barrier. It was about waist high. I've seen these before, mostly larger and piled up on shorelines as breakwaters, but I've never been able to determine what they're properly called. They're not exactly
About an hour after parting with Laurraine and Mike, a carload of friends also on their way to Worldcon arrived, this time from Chicago, to spend the night and then head up to set up Steve Salaba's huckster table early this morning. Now, I'm a black belt car packer, but I have met my match, and then some: There wasn't a wasted cubic centimeter in that minivan. There was just enough room in the back seat for one person, blocked in on all sides by coolers and shelves and boxes of plush puppets and stuffed animals. (Note the “Bambi butt” that worked its way out of an overstuffed box toward the left.) It's not how I would have chosen to travel to Worldcon, but Steve, Bonnie (shown), and Eloise are all Worldcon pros from way back, and rotated positions in the vehicle often enough so the person in back didn't get suicidal.
I've had a little time to look at and photograph the material I received from Nancy Frier a few days ago. (See yesterday's entry.) I've begun work on a new Web article on Alox products and especially Alox kites, but I can post some early photos.














