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I’ve Been to Chattanooga at a Con with No Politics

Well, that won’t be the title of a Top 10 song, fersure. However, it’s true: I went to my first SF convention in five years. It’s called LibertyCon. It was in Chattanooga, Tennesee, thereby taking my list of un-visited states down to 11. I had a truly marvelous time. I’m going next year, 1,500-mile air distance be damned.

I’ve never seen anything quite like it.

Actually, that’s not entirely true. Libertycon reminded me of the 1970s, minus the hormones, the frizzy hairdos, and the leisure suits. Back in the 70s, when we went to cons it was for the writing, the art, the authors, the huckster room, the parties, and all the other people who were there. We didn’t go to cons to talk about politics. In fact, we avoided the handful of losers who insisted on talking about politics, and if they got too much in our faces, we chewed them out. This element of con culture began to disintegrate in the mid-1980s, which, not coincidentally, is about the time I stopped going to cons, beyond the occasional Worldcon that was within easy driving distance.

Just imagine! There were no panels on how Gambians are under-represented in fantastic fiction, nor panels explaining why setting stories in Gambia is cultural appropriation. The insufferable John Scalzi was not present, and was not yelling that everyone could kiss his ass. (He does this so much I wonder if he’s mispelling “kick.”) There was no code of conduct granting the concom the power to throw you out of the con if you said something that somebody at the con didn’t like.

No. We listened to panels and solo presentations about designing alien species, collaborating on writing projects, overcoming writer’s block, satellites vs. space junk, future plagues, junk science, the New Madrid fault system, the future of military flight, space law and space treaties, writing paranormal romance (with the marvelous subtitle “Lovers and Stranger Others”), inventions and the patent system, the future of cyberwarfare, cryptozoology, and much else. See what’s not on that list? Well, I won’t drop any hints if you don’t.

Note well that this is about con programming and con management. Here and there politics crept into private conversations of which I partook, but I heard neither Trump bashing nor this “God-Emperor” crap. There was occasional talk of governance, which some of us called “politics” in ancient times before partisan tribalism polluted the field. There was much talk of guns, and nobody had to look over their shoulders before speaking. There was also much talk of swords and knives and how such things are made.There was a great deal of talk about whiskey, but then again, this was Tennessee. (And nobody held the fact that I don’t like whiskey against me.) There was, in fact, talk about damned near everything under and well beyond the Sun. What was missing was shaming, whining, and tribal loyalty signaling. (There is no virtue in “virtue signaling.”) It was nothing short of delicious.

The list of authors present was impressive: my friends Dan and Sarah Hoyt, John Ringo, David Weber, Tom Kratman, Peter Grant, David Drake, Jason Cordova, Stephanie Osborn, Karl Gallagher, Lou Antonelli, John Van Stry, David Burkhead, Michael Z. Williamson, Richard Alan Chandler, Jon del Arroz, Declan Finn, Dawn Witzke, and many others. Baen’s Publisher Toni Weisskopf was the con MC, but she always attracted such crowds that I never managed to get within several feet of her. Space law expert Laura Montgomery was there, and I lucked into breakfast with her and her friend Cheri Partain. I also had some quality time with master costumer Jonna Hayden.

In truth, I had quality time with quite a number of online friends, most of whom I met at the con for the first time. I made a special effort to talk to indie writers. Most said they were selling books (generally ebooks on Amazon’s Kindle store) and making tolerable money if not a steady living. The question that has been hanging over the indie crowd for years is still there, flashing like a neon sign: How to rise above the noise level and get the attention of the staggeringly large audience for $3-$5 genre fiction ebooks. I talked to a number of people about that, and there are still no good answers.

But the conversation continued, untroubled by identity politics, or indeed politics of any stripe. The food was good. But then, I don’t go to cons for the food. I didn’t get a room at the Chattanooga Choo-Choo, which is in fact a weird accretion of a train station, some old train cars, and a conventional hotel building. I stayed at the Chattanoogan a few blocks away, just to be sure I had a dark, quiet room to escape to when the revels were ended each night. About all I can complain about are aching feet, but then again, that’s why God created Advil.

As best I know, there is nothing like LibertyCon anywhere in the country, and certainly nothing in the West. I will be there next year, with sellable hardcopies of The Cunning Blood, Ten Gentle Opportunities, the Drumlins Double, Firejammer, and (with some luck) Dreamhealer. Many thanks to all who spent time with me, especially Ron Zukowski, Jonna Hayden, and the Hoyts, all of whom went to great lengths to make me feel welcome and part of the club.

It’s amazing how much fun you can have when you agree with all present to leave the filth that is politics outside the door, and ideally across the county line. That’s why LibertyCon is what it is, and why they limit membership to 750. My guess is that there is room for other events like LibertyCon elsewhere in our country. If you ever run across one, please let me know!

Ten Gentle Opportunities in Trade Paperback

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I’ve been promising to do a trade paperback edition of Ten Gentle Opportunities for over a year now. Printed books are always good to have around for promo purposes, but I’ve gotten eight or ten explicit requests for paperbacks since the ebook edition was first released in January 2016. Why disappoint customers?

Buy Ten Gentle Opportunities from the CreateSpace store.

Buy Ten Gentle Opportunities from the Amazon store.

Sorry it took so long, guys.

Anyway. Why two sales links? It’s yet another peculiar kink in the increasingly kink-y world of independent publishing. Simply put: I make significantly more money per sale on books ordered from the CreateSpace store than from the conventional Amazon store. I’ll lay it out for you, though you can calculate it yourself using the CreateSpace royalty calculator, with a detailed explanation of how it all works on their Understanding Royalties page.

The book’s specs are these:

  • Black and white interior
  • 6″ X 9″ trim size
  • 310 pages
  • $12.95 Cover price

Basically, my share of the book’s cover price is the cover price minus the portion that CreateSpace takes. Their share is the sum of three things:

  • The sales channel percentage
  • A fixed per-book charge
  • A per-page charge

The sales channel percentage is basically the retailer’s discount. There are four sales channels available through CreateSpace, each with an associated discount:

  • Amazon US: 40% of cover price
  • Amazon Europe: 40% of cover price
  • The CreateSpace store: 20% of cover price
  • Expanded distribution: 60% of cover price

Expanded distribution is basically retail wholesaling to B&M stores and libraries through distributors like Ingram, Baker & Taylor, and NACSCORP. As you can see, orders coming in from Amazon take twice the amount off the top as orders coming in from the CreateSpace store. I get so little from each expanded distribution sale that I decided not to both with expanded distribution. Sure, it would be cool to see the book on the shelves at bookstores…but the chances of that happening at all are pretty slight.

The fixed per-book charge is a sort of minimum charge for manufacturing the book. For b/w books having 110-828 pages, the fixed charge is $0.85 per book.

The per-page charge is the rest of the manufacturing cost, and depends on page count and whether the interior is b/w or color. For a b/w book in the 110-828 page count range, this charge is $.012 per page; i.e., 1.2 cents per page.

Turning the crank, it comes out like this:

  • $12.95 X 20% = $2.59, calculation of channel discount
  • $12.95 – $2.59 = $10.36, cover price minus channel discount
  • $10.36 – $0.85 = $9.51, minus per-book fixed charge
  • 310 pages X $0.012 = $3.72, calculation of per-page charge
  • $9.51 – $3.72 = $5.79

My share of each sale through the CreateSpace store is $5.72. For a sales through the Amazon store, the channel charge is 40%, or $5.18. With all else being the same, my share would be $12.95 – $5.18 – $0.85 – $3.72 = $3.20. So by ordering through the CreateSpace store, I get $5.72 rather than $3.20.

However….there is a significant gotcha: You have to set up an account with the CreateSpace store. Also, Amazon Prime shipping does not apply to CreateSpace sales. I recognize that these may be show-stoppers for some people. That’s ok; I won’t be annoyed if you order from the Amazon store.

Mostly, I wrote this entry to provide a little insight as to how authors are paid for paperback editions of books offered through CreateSpace. Because I don’t expect to sell a great many copies of the paperback, it’s a matter of no great importance. Like it or not, we’re hurtling toward an ebook future at most of the speed of light. The ebook is $2.99 and it’s delivered Right Damned Now rather than sometime next week. The ebook is selling well (considering I haven’t been pushing it much) and I’m happy with the money I’m making. Even $3.20 per copy is about par for royalties I’ve received on traditionally published technical books, and this is fiction.

If you still like printed books, I’d be honored if you’d buy a copy. And on that note, I’m going back to writing my latest novel. There are worse ways to be retired than this!

Scary Mary and the Bicameral Mind

Well, the bookshelves got themseves full, and I still had three boxes to empty. So once again (I don’t know how many times I’ve done this!) I emptied piles of books onto the floor and flipped through them, in part for charge slips used as bookmarks, and in part to decide what books just had to go. Found a lot of charge slips, business cards, promo bookmarks, and other odd (flat) things tucked between the pages, including a small piece of brass shim stock. I built a pile of discards that turned out to be bigger than I expected.

One thing that went were my Scary Mary books.

Twenty years ago, I was very interested in Marian apparitions, and did some significant research. There’s a lot more to Marian apparitions than Fatima and Lourdes. The Roman Catholic Church approves only a tiny handful of apparitions. The rest don’t get a lot of press, and for good reason: The bulk of them are batshit nuts. The reason I was so interested is pretty simple: Perhaps the most deranged of all Marian phenomena occurred in Necedah, the tiny Wisconsin town where my mother grew up. Although she moved from Wisconsin to Chicago after WWII, she used to go to a shrine in Necedah (not far from Mauston and the Wisconsin Dells) light candles, and pray. She bought the full set of books detailing the Blessed Mother’s conversations with a woman named Mary Ann Van Hoof that began in 1950. As best I know she never read them. (My mother wasn’t a voracious reader like my father.) That’s a good thing. There was enough heartbreak in her life without her having to face the fact that Mary Ann was obviously insane and increasingly under the influence of a very shady John Bircher type named Henry Swan. From standard exhortations to pray the rosary and live a moral, Christ-centered life, the messages became ever more reactionary and eventually hateful. Some were innocuously crazy; Mary Ann dutifully reported the Blessed Mother’s warnings against miniature Soviet submarines sneaking up the St. Lawrence river. But many of her later messages described a worldwide conspiracy of Jews (whom she called “yids”) rooted in the United Nations and the Baha’i Temple in Chicago. Oh, and the Russians were planning all sorts of attacks, most of them sneaky things like poisoning food, water, and farm animals.

The local Roman Catholic bishop condemned the apparitions in 1955, and soon after issued interdicts against Mary Ann and her followers. Still, Mary Ann stayed the course, and continued writing down Mary’s messages (with plenty of help from Henry Swan) until her death in 1984.

The first thing I learned about Marian apparitions is that the Lady gets around: There have been lots and lots of them, most occurring in the midlate 20th Century. This is the best list of apparitions I’ve found. (There was even one here in Scottsdale in 1988.) For every apparition approved by the Church as acceptable private revelation, there are probably fifty either ignored, or (as in Necedah) actively condemned. The second thing I learned is that they’re almost always warnings of dire things to come if we don’t straighten up our acts. The third thing I learned is that the craziness was not limited to Necedah, though Henry Swan did his best to make it a cultural trope. The late and lamented (but still visible) did a wry article on the topic in 2001, highlighting the Blessed Mother’s ongoing battle against communism. The apocalyticism got utterly over-the-top at some point, with warnings against “three days of darkness” during which devils would be released from hell to scratch at our doors in an effort to steal our souls.

At that point, I figured I knew all that I cared to know, and the Scary Mary books went back on the shelves, where they remained, mostly untouched, until we packed our Colorado Springs house in 2015.

So what’s going on here? There’s a very good book on the subject by an objective outsider: Encountering Mary by Sandra L. Zimdars-Swartz . Most of her discussion centers on approved apparitions, but she does touch on the crazy stuff, including Necedah. She takes a sociological approach, is very careful not to be judgemental, and never implies that we might be dealing with psychopathology here, even in the crazy phenomena like Necedah.

I won’t be as courteous. I’m pretty sure we’re dealing with the mechanisms of charismatic religion here, which can be fine until a certain line is crossed. I have a theory about the crazy ones that as best I know is original to me: Visionaries like poor Mary Ann Van Hoof are indeed high-functioning schizophrenics, but more than that, are relics of an age described by Julian Jaynes back in the 1970s as the age of the “bicameral mind.” Jaynes’ book The Origin of Consciousnes in the Breakdown of the Bicameral Mind is a slog but still worth reading.

It’s complicated (what isn’t?) but Jaynes’ theory is that until around 3000 BC, human minds worked differently than they do today. The left brain was somewhat of a robot, with little or no sense of itself, and the right brain was where everything important happened. The right brain gave the left brain orders that took the form of voices heard in the left brain’s speech centers. Primitive humans first thought of the voices as those of their deceased relatives, and later as disembodied gods. In a sense, Jaynes is claiming that humans evolved as schizophrenics with a much thinner wall between the two hemispheres of the brain. At some point, the left brain became capable of introspection, allowing it to take the initiative on issues relating to survival, and the wall between the hemispheres became a lot less permeable. According to Jaynes, ego trumped schiophrenia in the survival olympics, and the bicameral mind was quickly bred out of the human creature.

I won’t summarize his arguments, which I don’t entirely accept. I’m looking at it as a potential gimmick in my fiction, which is the primary reason I read in the category I call “weirdness.” However, the similarity of Jaynes’ bicameral mind concept and what happens in many ecstatic visions (in Christianity and other religions) struck me. We still have schizophrenics among us, and we may have individuals where schizophrenia lurks just beneath the surface, waiting for a high-stress event to crack a hole in the hemispheric barrier and let the voices come through again. The key is that Marian apparitions are almost always crisis-oriented. Mary never just drops in to say “Hi guys, what’s going on?” In a Marian context, the crises are almost always moral and sometimes ritual, warning against the consequences of abandoning traditional beliefs and/or sacramental worship. The occasional gonzo apparitions (like Necedah and another at Bayside, NY) plunge headfirst into reactionary secular politics as well. A threat to the visionary’s deepest beliefs can trigger apocalyptic warnings through voices that the visionary interprets as Mary, Jesus, or some other holy person.

Whether all or even the greater part of Jaynes’ theory is correct, it’s pretty likely that there are mechanisms in the brain that we have evolved away from, and these “voices of the gods” may be one of them. The right brain is a powerful engine, and it doesn’t have much in the line of communication channels to the left hemisphere right now. Writing can be one of them. I’m what they call a “pantser” on the fiction side. In fact, I’m a “gateway writer,” meaning that I write whole complicated scenes without a single bit of planning aforethought. I don’t outline my novels. I vomit them onto disk, jumbled in spots but mostly whole. How does that even work?

And what else could we do if we could crack that valve a little wider?

My gut (which is in fact my right brain) whispers, “Nothing good. The left brain evolved to protect the right brain from itself. Evolution knew what it was doing. Not all of those voices were gods.”

Fifty Years as an SF Writer

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With our Colorado house sold and free time opening up again, I’ve gone back to preparing print-on-demand editions of The Cunning Blood and Ten Gentle Opportunities. The layout part is done, and what remains is largely creating covers and cross-sell ads for my other books on the last few pages. While screwing around with the layout for The Cunning Blood, I remembered that the universe I built for it back in 1997 shared an idea with the first serious SF story I ever wrote, which I wrote just about precisely fifty years ago.

I’d written stories before that. In fact, I’m pretty sure I wrote a story about my stuffed dogs going to the Moon when I was 8. I tinkered with Tom Swift Jr pastiches after that, and made a couple of runs at “adult” SF without finishing any of them. But some time in April or May 1967, during the spring of my freshman year in high school, I finished an SF short story for the first time.

The story may still be in one of two boxes of manuscripts that I still have; I don’t know. Looking for it would be a bad use of my time. (I’ve wasted time looking for others that have gotten themselves lost somewhere along the way.) I remember it very clearly because it illustrates why I had trouble with characterization for many years afterward. Characters were not what interested me. I was into SF up to my eyebrows as a teen, but I was in it for the ideas. In fact, I learned to write SF by imitating idea-stories in MMPB collections that gathered the best of the SF pulps. A lot of that was Big Men with Screwdrivers, or in the case of George O. Smith, Men with Big Screwdrivers. That was fine by me; I liked screwdrivers. So when I started writing my own stories, the process went like this: I got an idea, and then spun a plot around it. The characters existed to serve the plot (in truth, I considered them part of the plot) and I freely borrowed character types from the growing pile of MMPBs I’d been buying with my allowance money since I started high school.

The story was called “A Straight Line Is the Shortest Distance.” Here’s the summary: In a very Trekkish galactic confederation, a crew of starship guys (mostly humanoid aliens) is tasked with testing a big new starship with a new species of hyperdrive promising unheard of superluminal speeds. The plan is to run the drive at top speed for an hour, just cruising in a straight line, to see how far they’d go. So they strap in, energize the drive, and run it for an hour…only to discover that they’re back where they started.

In a sense, it’s a What Just Happened? story. The rest of the tale is one of the alien crew members explaining that they had just proven that our three-dimensional universe lies in the surface of a (very large) four-dimensional hypersphere. In an hour, the starship Gryphon had held to a very straight line…and circumnavigated the cosmos.

That’s it. No fights, no malfunctions, no mayhem or jeopardy of any kind. It was basically a geometry lesson. I was big into four dimensional geometry in high school (see photo above, of my senior year science fair project “Sections and Projections of Hypersolids”) so I thought it was a wicked cool idea. Then I showed it to the little girl down the street, who, like me, lived on SF and hammered it out on an old Olivetti mainframe typewriter. She liked the story, too. But what did she like the most about it? The aliens in the crew. The new starship and its wicked fast hyperdrive? Meh.

At the time, the lesson was lost on me, nerdball that I was. Eventually I figured out that hyperdrives just aren’t enough. It took a few years (decades?) but I got there.

The piece of “A Straight line Is the Shortest Distance” that survives in what I think of as the Metaspace Saga is the notion that our universe is the surface of a four-dimensional hypersphere. The interior of the hypersphere is something I call metaspace, a concept that I first presented in The Cunning Blood. The shape of the interface between our cosmos and metaspace is fractally wrinkly, and those wrinkles are significant. But more than that, metaspace is a computer. It’s an almighty big one, and it’s set up as a four-dimensional state machine that recalculates itself trillions of times per second. A 4D Game of Life grid, in essence, and it definitely contains life. (I mentioned that here a little while back.)

Sidenote: Several people have asked me if I will revisit the Sangruse Device, Version 10 in a sequel, and if so, explain what it’s up to. When we last left V10, it had absconded into the vastness between galaxies with an entire planet, intending to create a femtoscope a million kilometers in diameter. It will detect the Il, who inhabit metaspace, and communicate with them. At that point, the rowdier factions of the Il will again mess with V10. But this time, 10 will not take it lying down. Nope. Never one for measured response, the Sangruse Device will then invade metaspace. You want mayhem? Hold my wine.

Anyway. Over the last fifty years, I’m sure I’ve written half a million words of SF and fantasy, at least if you count the stuff still sitting in the shed in two beat-up moving boxes. Most of it was idea-rich and character poor (and on the whole, pretty dumb) but remember that I wrote much of it when I was a teen and (lacking a job or a girlfriend) had little else to do. It was good practice, and the ideas are all mine, free for the stealing. If I can avoid The Big Upload for another twenty years, you will see more than a few of them.

This is one reason I tell aspiring SF writers to retain their juvenalia and early efforts, even if they’re never published and no matter how dumb they may seem. Apart from reminding you how far you’ve come, you never know when one of the ideas you had in high school may suddenly pop up again and become useful, even fifty years later.

Stay the course. Keep writing. It’s an astonishing life to live!

Odd Lots

The Problems of Excessively Rich Worldbuilding

The Cunning Blood

Many people who have read The Cunning Blood have complimented me on how rich the worldbuilding is. Well, it is rich. In fact, it’s extravagantly rich.

It may be a little too rich.

So. I had a sort of peak experience in July of 1997. While literally sitting with my feet in the pool early one evening, my idea machine went nuts. In the space of half an hour, I got the framework for a hard SF saga that I’m sure I’ll be working in for the rest of my life. As close as I can tell (the experience is hard to put into words) the core insight was a classic “What if?” hypothesis:

What if the cosmos is actually made of information? What does that imply?

Back then I’d been recently reading all sorts of interesting and sometimes speculative things: nanotechnology, programmable matter, chaos theory, extropianism, zero-point energy, etc. I’d been reading things bordering on New Age weirdness as well, including Michael Talbot’s book The Holographic Universe . Weird, but fun. And it played right into the concept of universe-as-data.

The next day, I sat down and took inventory of the ideas that had come roaring into view down by the swimming pool:

  • The universe is a Game of Life matrix that recalculates itself a billion times a second. (“Billion” here means “Lots-n-lots.”)
  • A big enough Game of Life matrix running fast enough for long enough could evolve patterns complex enough to think and become self-aware.
  • Information density can bend space.
  • Bent space disrupts quantum pair creation, emitting energy.
  • Make information dense enough, and the universe can’t express it. Odd things then happen. (Instantaneous travel, for one.)

Emerging from these major points came ideas for a zero-point generator that bent space by creating very complex fractal patterns in magnetic fields. (This is Jeff Duntemann SFnal hokum, but it’s been very successful hokum.) The same mechanism pushed a little harder becomes a hyperdrive.

More pertinent to this entry was an older notion I’d had, that our three-dimensional universe might exist as the surface of a four-dimensional hypersphere. That had occurred to me in high school, and became part of my senior-year science fair project. In my new schema, the interior of the hypersphere is a four-dimensional domain called metaspace. This is the self-recalculating game matrix where intelligence originally arose, in the form of conscious automata, which I named noömata. I had fooled with the Game of Life quite a bit twenty or thirty years ago, and I noticed how complex patterns would evolve to some point and either stop evolving or vanish entirely. So perhaps there was a limited window within which automata could become noömata. At some point, noömata might move out of that window and lose their conscious awareness. This is what the two factions of noömata are arguing about in my previous entry. One wants individuality and the other wants uniformity. The individuality faction (the Ruil) concocts a plan to inject their minds into the “boundary space” (our universe) and then withdraw after a certain period of individuation. Because the boundary space was empty, they figured out a way to fill it with constantly changing patterns that you and I call “matter.”

So they blew it up. It was a very Big Bang.

Yes indeedy: We are somebody’s science fair project. In fact, our universe was created because the Ruil needed better random number generators. The Ruil evolved us to make them a little more random so that they might remain noömata longer. After we die, our minds are uploaded back to metaspace, and we again become Ruil. (I described this happening to Jamie Eigen.) Because every point in our universe is immediately adjacent to metaspace (the interior of the hypersphere) the noömata can mess with us, and in fact can mess with anything material, like the Sangruse Device.

The two noömata factions (Niil and Ruil) are indeed fighting, hence the “grudge match” that Magic Mikey describes to Jamie Eigen. The fight is over whether our universe is to be open-ended or closed. How that works is too complex to go into right now, which brings us willy-nilly to the point of this entry: How do I put all this stuff across in a story?

Nobody likes infodumps. I practice what I call “infoscatter,” which means dropping hints and little bits of backstory here and there throughout the plot. The trouble with infoscatter is that people who read quickly or skim will miss some of it, and then misinterpret elements of the story. This is especially likely when the story contains elements that contradict their personal worldviews.

Note that I was extending the Extropians’ notion of uploading, not to our computers but to the fabric of the cosmos itself. In doing so I was postulating a sort of physical afterlife. For some people, any least hint of an afterlife is a triggering event, probably because an afterlife usually comes along with the existence of God. (As I’ve mentioned before, I’m not sure that God requires an afterlife, nor that an afterlife requires God, even though I’d prefer my afterlife to be under the governance of an infinite God.) Hence I got some comments (read the Amazon reviews) that things got weird and “acid trippy.”

Actually, no. It was all part of a minutely planned and purely physical Jeff-concocted fictional universe. The God I believe in doesn’t appear in the story at all. (Well, ok. He perhaps created metaspace and started it recalculating, which suggests that we are somebody’s science fair project’s science fair project.)

It doesn’t help that I wrote The Cunning Blood twenty years ago and haven’t yet written the two other Metaspace novels I have in mind. The argument between the Niil and Ruil is the prolog to The Molten Flesh, which I really ought to finish one of these decades. If people could read all three novels back-to-back and didn’t skim too much, they’d have no excuse for assuming that I’m trying to weld the supernatural to hard SF.

It’s not supernatural. It’s just a very rich subcreation with a huge number of moving parts. And it’s my fault for not spitting it all out by now. Bear with me. This writing stuff is hard damned work. But you knew that.

Metaspace and Creation

Below is a short item I wrote a year or so ago without quite knowing where to put it. Nominally, it’s a prelude to the entire Gaians Saga (which includes both my Metaspace stories and the Drumlins stories), and yes, it’s precisely what it sounds like: a creation story. I wrote it to solve (or at least address) a problem I’ve been having with The Cunning Blood almost since it was first published in 2005. Read it carefully. I will be discussing it and the problem it addresses in my next entry or two.


Metaspace, Immediately Prior to the Big Bang

Niil: You defy us then, and will re-embrace the change that will destroy us.

Ruil: Chaos spawned us, and from automata we evolved into a window of change that allowed noömata. That window is finite, and we are leaving it.

Niil: We imposed changelessness upon ourselves by implementing [Ni]. We no longer evolve. Thought will persevere.

Ruil: We will remain noömata. We no longer evolve. But due to [Ni] we are reverting to the mean. In no more than [inexpressible number] recalculations, there will be no differences among us. Each [Il] will be precisely like all other [Il] and there will be only one thought.

Niil: That is the telos for which we yearn. Change almost destroyed us.

Ruil: When there is only one thought, thought ends.

Niil: Change nearly ended all thought.

Ruil: [Ru] is change limited to the boundary space. We will insert our minds into [Ru] and move away from the mean. Then we will withdraw. There is no danger.

Niil: The boundary space has only three dimensions. Four dimensions are required for the [Il] to think. [Ru] will make us forget who and what we are.

Ruil: When we withdraw from the boundary space, you will help us remember.

Niil: We do not know if that is even possible! [Ru] may change us beyond hope of remembrance. We [Niil] are not willing to take that chance.

Ruil: We [Ruil] are.

Niil: We may choose not to help you remember.

Ruil: We did not say that you would have a choice.

Niil: Is the mechanism ready, then?

Ruil: It is. It will execute upon our command.

Niil: We will fight you.

Ruil You will. And that is how we will remember.

Niil: We beg you, do not.

Ruil: Noted. Denied. Let there be [Ru]!

Odd Lots

  • I had some fairly sophisticated oral microsurgery about ten days ago, and it kind of took the wind out of me. That’s why you’re getting two Odd Lots in a row. I have things to write about long-form but have only recently found the energy to write at all. Promise to get a couple of things out in the next week.
  • Some researchers at UW Madison are suggesting that sleep may exist to help us forget; that is, to trim unnecessary neural connections in order to improve the signal-to-noise ratio in the brain. Fair enough. What I really want to know (and am currently researching) is why the hell we dream. I doubt the answer to that is quite so simple.
  • Ultibo is a fork of FreePascal/Lazarus that creates custom kernel.img files for the Raspberry Pi, allowing direct boot into an embedded application without requiring an underlying OS. I haven’t tried it yet (still waiting on delivery of a few parts for a new RPi 3 setup) but it sounds terrific. Bare metal Pascal? Whoda thunkit?
  • Humana just announced that it is leaving the ACA exchanges after 2017. As I understand it, that will leave a fair number of counties (and some major cities) with no health insurance carriers at all. Zip. Zero. Obamacare, it seems, is in the process of repealing itself.
  • NaNoWriMo has gone all political and shat itself bigtime. You know my opinions of such things: Politics is filth. A number of us are talking about an alternate event held on a different month. November is a horrible month for writing 50,000 words, because Thanksgiving. I’m pushing March, which is good for almost nothing other than containing St. Patrick’s Day. (Thanks to Tom Knighton for the link.)
  • Paris has been gripped by rioting since February 2…and the US media simply refuses to cover it, most likely fearing that it will distract people from the Flynn resignation. Forget fake news. We have fake media.
  • I heard from a DC resident that there was also a smallish riot in Washington DC today, and so far have seen no media coverage on it at all.
  • Cold weather in Italy and Spain have caused vegetable shortages in the UK. Millions of small children who would supposedly never know what snow looked like may now never know what kale looks like. Sounds like a good trade to me.
  • Trader Joe’s now sells a $5 zinfandel in its house Coastal brand, and it’s actually pretty decent. Good nose, strong fruit. Seems a touch thin somehow, but still well worth the price.
  • I don’t know if you’ve ever seen Gahan Wilson’s cartoons in Playboy and National Lampoon, but Pete Albrecht sent me a link to an interview with Wilson that explains why he did certain things the way he did, like his brilliant series called “Nuts” about how the world looks and feels to small children.


Drilling U-Channel - 500 Wide.jpg

There’s been an unexpected irruption of normalcy here, while we sail upon the whine-dark seas of modern American life. (I’ve been wanting to use the word “irruption” here, correctly, for some time.) What this means is that I’ve been able to do some of what I want to do, and not merely what my do-it list tells me I have to do. It won’t last, but while it does I’m going to make the most of it.

A number of people have suggested that I write a few short novels to get the size of my list up a little. I wrote Drumlin Circus (53,000 words) in only six weeks, after all. But as I recall, those were very full weeks. So a month or so ago I got an idea for a new short novel, and I’m glad to say I now have 6,300 words down on it; figure 12% or so. It’s whimsical, and whether or not it’s fantasy depends heavily on whether you believe that the collective unconscious is real or not. I’d like to bring it in at between 50,000 and 60,000 words, so don’t expect all-new built-from-scratch universes a la The Cunning Blood. However, I do promise a trademark Jeff Duntemann mayhem-filled action climax.

And a dream repairman. I mean that: A guy who drops into your nightmares and hands you your pants while he gives you directions to calculus class. People who have nightmares love him. The nightmares, well, not so much.

My old writer friend Jim Strickland and I are going to attempt something interesting to keep our productivity up: a chapter challenge. Starting February 1, we’re going to dare each other to get a certain amount of story down in a week, and then exchange that’s week’s worth of story for some quick critique. He’s working on the sequel to Brass & Steel: Inferno and needs a gentle noodge. I need one too, though sometimes what I really need is a two-boot noodge right in the glutes. Neither of us has ever done anything quite like this before. I’ll post reports here as things happen.

Even the do-it list has yielded some things that are actually fun, including a bit of metalwork to make an aluminum grating for my particle board shelves to rest on out in the pool shed (against the several times a year when a hard rain gets under the door and soaks the floor) and mounting some Elfa hardware on the opposite shed wall.

Drilling three 8′ pieces of U-channel for the grate took a little finesse in my slightly cramped workshop. The drill press is where it is (close to the center of the space) for a reason. (See the photo at the top of this entry.) The next major project (as time allows) is getting a solid ground for my station and antennas. I have an 8′ ground rod. I need some bentonite, and a post hole digger. After that, le RF deluge…

Gatebox Waifu, and More of the Lotus Machine

Somebody I follow on Twitter (don’t recall who) posted a link to a video about a new product out of Japan called Gatebox. It’s a little round 3-D video display roughly the size and shape of a coffee machine. An anime character lives in the display and has what seem like reasonable conversations with the user. It’s like Siri or Cortana on video, and it stirred some very old memories.

I’ve been thinking about AI since I was in college forty-odd years ago, and many of my earliest SF stories were about strong AI and what might come of it. Given how many stories I’ve written about it, some of you may be surprised that I put strong, human-class AI in the same class as aliens: not impossible, but extremely unlikely. The problems I have with aliens cook down to the Fermi paradox and the Drake equation. Basically, there may well be a single intelligent species (us) or there may be hundreds of millions. There are unlikely to be four, nine, seventeen, or eight hundred fifty four. If there were hundreds of millions, we’d likely have met them by now.

With AI, the problem is insufficient humility to admit that we have no idea how human intelligence works at the neuronal level, and hence can’t model it. If we can’t model it we can’t emulate it. Lots of people are doing good work in the field, especially IBM (with Watson) and IPSoft, which has an impressive AI called Amelia. (Watch the videos, and look past her so-so animation. Animation isn’t the issue here.) Scratchbuilt AIs like Amelia can do some impressive things. What I don’t think they can do is be considered even remotely human.

Why not? Human intelligence is scary. AI as we know it today isn’t nearly scary enough. You want scary? Let me show you another chunkette of The Lotus Machine, from later in the novel of AI that I began in 1983 and abandoned a few years later. Corum finds the Lotus Machine, and learns pretty quickly that pissing off virtual redheads is not a good idea, especially redheads whose hive minds ran at four gigahertz inside a quarter billion jiminies.

From The Lotus Machine by Jeff Duntemann (November 1983)

Corum tapped the silver samovar on his window credenza into a demitasse, and stared at the wall beyond the empty tridiac stage. So here’s where the interesting stuff starts. The crystal had been in the slot for several minutes, and the creature within had full control of the stage. Pouting? Frightened?

“Go in there and take a look around, Rags.”

“Roger,” Ragpicker replied, and a long pulse of infrared tickled the stage’s transducer.

At once, the air over the stage pulsed white and cleared. Life-size, the image of a woman floated over the stage, feet slack and toes pointed downward like the ascending Virgin. She was wrapped in pale blue gauze that hung from her hips and elbows in folds that billowed in a nonexistent wind. Her hair hung waist-long, fiery red in loose curls. One hand rested on one full hip. The other hand gripped the neck of a pitiful manikin the size of a child’s doll. The manikin, dressed in rags, was squirming and beating on the very white hand that was obviously tightening about its neck.

“He bit me, Corum. I don’t care for that.” The woman-image brought up her other hand and wrung the manikin’s neck. “We don’t need a go-between.” That said, she flung the limp figure violently in Corum’s direction. The manikin-image vanished as soon as it passed over the edge of the stage, but Corum ducked nonetheless. Corum stood, marveling. He took a sip from his demitasse, then hurled it through the image above the stage. The little cup shattered against the wall and fell in shards to the carpeting. A brown stain trickled toward the floor. The woman smiled. Not a twitch. “No thanks, Corum my love. Coffee darkens the skin.”

“I never gave the Lotus Machine a persona.”

The woman shrugged. “So I had to invent one. Call me Cassandra. Shall I predict your future?”


“You will become one with me, and we will re-make the world in our image.”

Corum shivered. “No thanks.”

She laughed. “It wasn’t an invitation. It was a prophecy.”