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Odd Lots

Odd Lots

Novel Compression Schemes

I’ve been selling my writing professionally since I was an undergrad, now literally forty years ago. I’ve had to do remarkably little selling. My first story and first article both sold to the first places I sent them. I’ve never had a publisher turn down a computer book proposal. (Granted that selling books to a publisher you co-own is rarely a challenge.) My fiction has been a mixed bag, but in general a story either sells quickly or not at all.

All changed. This is the toughest market for novel-length SFF since, well, forever. I’ve just spent two years writing Ten Gentle Opportunities, and now the selling begins. This is a new thing for me. I’ve historically considered tireless self-promoters to be tiresome self-promoters, and now I are one. I hate to go that way, and if there were another way I’d already be taking it.

It begins this weekend, when I have a chance to pitch to a major SF publisher at the Pikes Peak Writers Conference. The pitch happens in a time slot literally eight minutes long. I have eight minutes to make a bleary editor hungry to read my book. No pressure.

The primary challenge is to summarize the novel in synopses of various sizes, from 5,000 words down to…140 characters. Various markets and agents prefer synopses of various sizes, so they’d all better be right there on the shelf, ready to go at a moment’s notice.

This is harder than it looks; nay, it’s diabolical. The story itself is insanely complicated to begin with: One of my beta testers described it as “a Marx Brothers movie with twice as many Marx Brothers.” That’s just how I write, as anyone who’s read The Cunning Blood will understand. I have a mortal fear of not giving my readers their money’s worth, and a venial fear of being boring.

The way to write synopses of five different lengths is to start with the longest one, and write each one from scratch. In other words, don’t write the longest one and then try to cut it down to the next smaller size. This is like trying to turn hexacontane into propane by pulling carbon atoms randomly out of the middle; sooner or later the molecule has too many holes and falls apart.

It’s work, but it works. I finished the 300-word synopsis earlier this morning, and then set my hand to the gnarliest task of all: the “elevator pitch,” AKA logline. I get to summarize a manic 94,200 word story into 140 characters. I’ve actually been trying and failing to nail this for literally six months, since I finished the first draft. I first thought it would be easy, as I used to write cover copy for early Coriolis books. Heh.

The solution, as I said, is to start from the beginning. Each time I wrote a synopsis from scratch, I was forced to take two more steps up the ladder, and look down at the story from a little more height. You literally tell it again, each time with half the words you had last time. In the process, you get a clearer sense for what the story is about, and what the major themes are. Finally you end up with something you can say in an elevator between two adjacent floors:

A spellbender flees to our world with ten stolen nuggets of magic, and a crew of AIs helps him battle a repo spirit sent to retrieve him.

Will this work? Dunno. I guess I’ll find out this weekend.

Odd Lots

Odd Lots

Odd Lots

  • Egad. No, egad squared: A major literary agency has asked to see the full manuscript of Ten Gentle Opportunities. The novel is done, but I still have to format it for submission and write the synopsis and logline. I’m going to be busy for a few days, that is fersure.
  • IBM is taking a new slant on fluidic computers, one that operates via charged fluids. The hope is that this will allow better modeling of human brain operation. I’m skeptical, but hey, it’s a species of nanocomputer, and I’m certainly bullish on those. (Thanks to Mike Reith for the link.)
  • If anybody reading this has a 3D printer, I’d like to ask: Does the extruded plastic stick to clean copper-clad PCB stock? The obvious idea is to lay down a single-slice pattern in the form of PC pads and then etch the board with the plastic as resist. I don’t see much about this online.
  • From Chris Gerrib: How American radio stations got their call signs. One minor refinement: US callsigns beginning with AAA-ALZ and NAA to NZZ are not exclusively military. Amateur radio callsigns have used those prefixes for at least 35 years. (An OTA friend of mine outside Chicago got his Extra and selected AA9J as his call in, I think, 1976.)
  • People always seem to be recording meteors on dash cameras. I now have a dash camera. If I put it on my dash, will I see a meteor? Or will I get my money back? (Whoops. Found it in the bushes. All finds final. No refunds.)
  • Speaking of dash cameras: The manufacturer of the little sports camera I found in my bushes issued a DMCA takedown notice to a reviewer, on trademark grounds. (The DMCA has nothing to do with trademark abuse.) Hey, GoPro, Barbra is singing. Backtracking about the blunder will not help you. (Thanks to Tom Roderick for alerting me to this.)
  • Salads are way more dangerous than hamburgers. Alas, you can’t grill salad until it’s done to the center.
  • From Michael Covington comes a link to a story about how a Medieval copyist’s cat peed on his manuscript. The scribe drew a peeing cat on the damaged section, with an appropriate curse in Latin.
  • And we think we have a junk DNA problem: Amoeba proteus has 290 billion (yes, billion) base pairs in its genome, as compared to homo sap’s piddling 2.9 billion.
  • The reason all of us baby boomers didn’t die as grade schoolers may be that none of us lived in rich-guy gonzo-modern homes like these. (Why did I think that these houses were designed to ernhance estate tax revenues?)

The War on “Moist”

I have heard the angry voices (particularly God’s and Stephen King’s–or maybe it was just Stephen King’s) raised against the spreading curse of words that end in -ly, with particular emphasis on dastardly constructs like “only” and “early.” Today, for the first time, I’ve seen lexical blood spilled on a new front, against the horror of the word people are said to revile above all others…

moist.

Well. I’m a cultured individual, long steeped in the ways of the world, and no stranger to the pleasures of the mind and the senses. I have tasted anchovies. I have drunk sweet wine. I have read Barry Malzberg. I have danced the Invisible Horse Dance with my nieces and nephews. I have cocked an ear to what was either interstellar noise or leaky capacitors. I have gazed upon the jade sculpture on my tall bookcase until I became…well, you know what I became. I signed up once to pet a naked mole rat, but the line was too long and we had to go home. Genuine WTF moments have gotten thin in this, the seventh decade of my life. But the war on “moist” caught me up short.

I thought it was the primary virtue of cakes. If not, well, what do you call a cake that isn’t dry? Wet? Damp? Sodden? Moldy? (HuffPo takes on this crucial question with elan.)

I see that this is nothing new. The war on “moist” began a long time ago, at least as long ago as 2009. I missed it somehow. The Colorado Springs Gazette did not run the story under a 500-point rendering of “WAR!” Nobody mentioned it on Slashdot, nor Ars Technica, which posts on lots of things it knows nothing about. The war on hated words was highlighted in the New Yorker in 2012, and while there was a long line leading to the word gallows (with “phlegm” and “fecund” fidgeting while waiting their turn) the word eye-to-eye with the Lord High Executioner was “moist.” Men who use the word “moist” are undateable. There is even a Facebook group called “I HATE the word MOIST!” (Well, that certainly nails it.)

So what’s the deal?

The question came up recently on the Facebook wall of a writer friend of mine. A woman whom I don’t know explained: “Just imagine your 65-year-old mother reading it aloud as she reaches a pivotal sex scene in a romance novel. Enough said.”

Enough indeed, especially if you knew my mother, who would be 88 this year if she were still with us. She spent a considerable chunk of her life keeping parts of her house from becoming a little too moist with spilled milk, dog vomit, and thrown cream-of-mushroom mushrooms, which are moist squared. I’m guessing she didn’t have to read sex scenes aloud to be moist-averse. Small children and dogs were plenty.

My view? This has already gone too far. The word “moist” has not been seen in actual use in several months, though many have spoken passionately about it. Alas, its parents “most” and “mist” have unearthed a suicide note. We bludgeoned it, we drew and quartered it, we broke it on Little Orphan Annie’s code wheel, and we mopped up the gore with a towelette. We will not have “moist” to push around anymore. Who will be next? Who? Who?

The New Yorker says: “Slacks.”

I’m in.

Odd Lots

Score! The Phone-Inside-A-Tablet Concept, Now From ASUS

asus-padfone-slot.jpg

I don’t know where my ideas come from, so don’t ask. However, I do get ideas. Most of them come to nothing. Every now and again, however, I score.

Back at Clarion in 1973, I wrote an otherwise dorky novelette entitled “But Will They Come When You Do Call For Them?” in which I predicted something very like the World-Wide Web. It was over twenty years later that I realized I’d been scooped by H. G. Wells, who published his idea of the World Brain in 1937. (I’d never heard of the World Brain until I read about it on…the Web.) Hey, if you’re gonna get scooped, get scooped by the best.

In 1993, I got an idea for something I called The All Volunteer Virtual Encyclopedia of Absolutely Everything. It came out of the Information Superhighway fever (remember that?) and did not postulate HTTP, which was a new and obscure protocol at the time I was doing my research. Functionally, however, it was Wikipedia, or at least Wikipedia minus its idiotic Not Notable fetish.

Jim Strickland told me that I came very close to describing Second Life three years before it went live, with my “RAD Mars” concept piece in the final issue of Visual Developer. I think there were other stabs at that concept abroad at the time, so I don’t consider it as big a score. Still, it’s a score.

Which brings us to a news item I ran across this morning while I was scanning the World Brain. (Or the Universal Data Engineering Project, as I had more humbly named it in 1973.) ASUS has unveiled the Padfone 2, a smartphone that plugs into a 10″ “dumb” tablet. Pull that animation around–it’s very cool. The PadFone 2 is the newest rev of a product announced last spring that I missed somehow. (2012 was the second-worst year of my life. I missed a lot.) Here’s another detailed description from Engadget. The ASUS PadFone product line is the first real-world stab at a concept I described here on Contra back in 2008. That was in the thick of the netbook era, post-Kindle but pre-iPad, and the notion of a general-purpose touchscreen tablet was still obscure. What I wanted was a dockable display into which my smartphone plugged, with storage and network communications on the smartphone. And dayum if that isn’t more or less precisely what ASUS offers in the PadFone.

So forgive me if I sound like I’m gloating. I’m gloating. This may be the most accurate technology prediction I’ve ever made, and I made it almost five years ago.

Back in 2008 I considered patenting the idea, but only briefly. A patent would have cost me $10,000 and more time than I had to spare right then. Worse, I consider the idea only half a notch more than obvious, and when people patent the obvious it makes my blood boil.

I am a big fan of ASUS, and I own a much-loved and much-used Transformer Prime. I wish them no ill, but guys, put that patent application down. I thought of it five years ago.

Does Steampunk Really Humanize Our Gadgets?

Bill Cherepy (and a couple of others since) sent me an interesting link to a piece on Boing Boing arguing (I think) that steampunk makes our gadgets more human. It’s a headscratcher, since I don’t think the article text supports the author’s contention. However, it’s an idea worth some thought. I actually agree, if for different reasons:

  • Steampunk gadgets are comprehensible. Most of the tech in our modern phones and computers is black art, even to guys like me with considerable background in electronics. Electric, mechanical, and chemical tech circa 1900 was accessible to anyone with an ounce of brains and some willingness to study.
  • Steampunk gadgets are reproduceable. At home. In your basement. Sure, it would take a little research and pratice, but with nothing more exotic than a lathe and basic chemistry gear you could build most of what we connect with steampunking. Dare you to do that with an iPad.
  • Steampunk gadgets are personal. This is going to earn me some heat, but I think it’s true: Steampunk thingies are in-your-face, not on-your-friends-ist. One of the charms of the steampunk idea is that people interact face-to-face. This keeps trolling to a minimum and fosters at least superficial courtesy, which certainly beats the slobbering hatred that now dominates Facebook.

All that said, I admit that the majority of what I see under the heading “Steampunk” is a species of fantasy, be it of the supernatural (vampires and zombies) or just wildly off-the-edge assumptions of what 1900 technology could accomplish.

The big turn-off I found in cyberpunk was its coldness. Granted this was cultural and not really necessary, but when I played at the edges of cyberpunk years ago it stopped me in my tracks. Cyberpunk was cynicism writ large, and steampunk is optimism gone nuts. Given that cynicism is cowardice (it is, in fact, the fear and loathing of all things human) you can guess where I’m much more likely to tell my tales.