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publishing

Odd Lots

  • The iPad’s ebook store is evidently US-only, less likely because of copyright laws themselves (as many are claiming) than because a lot of books are licensed to publishers by country, and if an author did not contract a book for distribution in Asia (for example) it can’t legally be sold in Asia. Some authors think this will allow them to contract separately by country or language and make more money…when in fact it only means that people outside the US will have yet another reason to steal the damned book. The only way to reduce content piracy is this: Sell it cheap, sell it easy, sell it everywhere. Anything else is wishful thinking.
  • Here’s a great short piece by nanotech guru Eric Drexler on why tokamaks won’t ever be widely used in commercial power generation. My favorite line in the whole thing: “…[the Sun] puts out less power per unit mass than a good compost pile.” Fortunately for us, the Sun is a little bigger than a compost pile. (Thanks to Frank Glover for the link.)
  • When I finally worked up the courage to go to the Meetup Web page for the Paranormal Erotic Romance Book Club of Colorado Springs, I discovered that one of the topics they list for the group is “New in Town.” I belonged to the New In Town Meetup for awhile in 2003, and I’m guessing that that’s why I got the email mentioned in yesterday’s entry. Lesson: Never ascribe to vampires what can be explained by simple spamming.
  • And while we’re talking weird emails, I got one the other day thanking me for using Minitab statistical software…which I had never heard of until I opened the message.
  • If you ever had the urge to click on a cloud formation, this is the kite for you. (Thanks to Michael Covington for the link.)

Kompozer Explained, in Recto-Verso

While checking to see if Kaz (Fabien Cazenave) has released Kompozer v0.8 (not yet!) I ran across a very nice free user guide to Kompozer written by Charles Cooke and released under Creative Commons. I’ve been using Kompozer for a couple of years now for all my new Web content, and although definitely unfinished, what’s there works very well. I figured it out by beating my head against it, but Cooke’s manual will obviate a lot of the beating if you’re coming to it for the first time. (The document is available in both English and German.)

And in downloading the PDF, I ran across a term I hadn’t seen in quite awhile: recto-verso. Most people use the term “mirror margins” these days, and that’s pretty much what it means: You lay out a book so that the wide margin is alternatively left and right on the printed sheet. Page 1 has the wide margin on the left, page 2 has the wide margin on the right, page 3 on the left, and so on. What this allows you to do is print the book on both sides of the sheet, so that the wide margins all end up on the left and form the “gutter” through which you punch the book for binding.

If you lay the book out in 2-page spreads, how this works is obvious, and most desktop-publishing templates for duplexed material take it into account. If you’re laying it out as single pages in something like MS Word, you have to specify “Mirror Margins” in the File | Page Setup menu and give yourself some space in the Gutter field. Cooke’s book is also available with wide margins on the left of every page, for printing on one side of the sheet only. The two versions are separate PDFs available from the same Web page; make sure you download the correct one.

One interesting thing about Cooke’s guides is that the PDFs are in color, with color highlighting, pale blue tips boxes, full-color screen shots, and colored arrows on screen shots to point out UI features. I guess it makes sense; almost everyone I know has a color laser by now, and I bought my first only about a month ago. I duplexed the recto-verso PDF, and made myself a duo-tang manual. I have quibbles with the layout, in that he packs way too much material on each page…but then again, with the cost of color laser and inkjet ink, printing only 61 pages is a lot cheaper than printing 150.

This was the first significant duplexed color job I’ve run on my new HP Color LaserJet CP1518ni. My one gripe is that there’s no fold-down single-sheet/duplexing tray in the front of the printer, as there is on the LJ2100 line. You can feed single sheets through a slot in the front of the printer, but for duplexing a stack, you have to pull the main paper tray and place the stack in the tray after you run the first side.

I guess that’s a nuisance, but the quality of the printing is very good, and in as dense a layout as Cooke hands us, the use of color does help a little.

Recommended.

Authors Get 70% Royalty from Kindle Sales

Wow. This is big: Amazon just opened up an option for Kindle author/publishers under which royalty rates are 70%. (Some analysis here; ignore Jeff Bezos’ open mouth.) We’re now closing in on the sort of royalty structure that reflects the realities of ebook economics: No paper, no ink, no physical warehousing. (Server space is way cheaper than maintaining pallet loads of print books out in meatspace somewhere. Trust me on that one!)

To qualfy for the new royalty rate, author/publishers (funny how the two are now blurring together!) must satisfy a few requirements:

  • Ebooks must list for between $2.99 and $9.99
  • The ebook list price must be at least 20% below the cover price for the printed book.
  • The ebook is made available everywhere that the author/publisher has rights.
  • Author/publishers must agree to accept the full list of Kindle features–current and to come–without quibbles, pointedly including text-to-speech.
  • Although Kindle won’t demand an exclusive, an ebook’s price at the Kindle store must be at or below the price at other ebook retailers from which the ebook is available.
  • The 70% rate applies to in-copyright works only. Reprints of public domain material do not qualify.

It’s no secret what’s going on here: Apple’s not-quite-top-secret tablet is really a game-changer ebook reader, and having seen how Apple basically created and still rules the market for individual music tracks, Amazon wants to make sure it retains its hard-won early lead in ebook retailing. This is certainly the reasoning behind Point #4, which basically prevents author/publishers from cutting sweeter deals with other ebook stores like Nook and whatever retail mechanism Apple eventually puts together.

If I hadn’t had to update my assembly book, my SF titles would be available for the Kindle by now, and this makes the effort all the more urgent. Looks like I have a lot to do this year–and maybe now I can expect a little more money in the bargain.

10,000 Pirated Ebooks

Ebook-related items have been gathering in my notefile lately, and this is a good time to begin spilling them out where we can all see them. The triggering incident was a note from the Jolly Pirate, telling me that one of my SF stories was present in a zipfile pirate ebook anthology that he had downloaded via BitTorrent. That people are passing around pirated versions of my stories is old news. “Drumlin Boiler” was posted on the P2P networks a few months after it was published in Asimov’s in 2002, and my better-known shorts have popped up regularly since then. No, what induced a double-take was the name of the pirate anthology: “10,000 SciFi and Fantasy Ebooks.”

10,000? You gotta be kidding!

But I’m not. Jolly sent me the 550K TOC text file, which is 9,700 lines long, with one title per line. Not all are book length, and many, in fact, are short stories. Still, the majority of all book-length SF titles I’ve read in the last thirty years are in there, and so was “Borovsky’s Hollow Woman,” albeit not under my byline. (I wrote the story with Nancy Kress, who is listed as sole author.) The only significant authors I looked for but did not find were George O. Smith and Charles Platt. (One howler: Bored of the Rings is said to be by J. R. R. Tolkien. Urrrrp.)

The collection is 4 GB in size. The Jolly Pirate said that he had downloaded it in just under three hours. He attached the file for “Borovsky’s Hollow Woman,” which was a plain but accurate 57K PDF. Intriguingly, the date given under the title is January 28, 2002. The damned thing has evidently been kicking around for at least seven years, if perhaps not in its full 4 GB glory. This suggests that the anthology is not entirely ebook piracy but mostly print book piracy. (“Borovsky” was never released in ebook form.)

Some short comments:

  • I verified the existence of the anthology from the Pirate Bay search engine. It really does exist. (So, evidently, does the Pirate Bay, which surprised me a little, considering recent efforts to take them down.)
  • 10,000 ebooks do not take a great deal of space by today’s standards. (Admittedly, better files with cover scans would be larger.) No one will think twice about a 4 GB download for size reasons, when 750 GB drives are going for $69.95.
  • The PDF is ugly. The lines are far too wide for easy readability and (since this is not a tagged PDF) not reflowable. That said, I did not find a single OCR error.
  • The Windows pathname of the text file from which the PDF was generated is shown at the top of every page. The pathname includes the full name of some clueless Dutch guy, from whose Mijn Documenten folder the file came. Ebook piracy clearly belongs to the common people, not some elite cabal skilfully dodging the **AA.
  • I’ve used a scanner to rip a couple of print books (plus ten years of Carl & Jerry print stories) and it is horrible hard work. However, the anthology demonstrates that if print is a form of inadvertent DRM (which I have long thought) it is not a particularly strong one. After all, as Bruce Schneier has said about DRM systems generally, they only have to be broken once.

This last item is key. A printed book is a worst-case challenge for an ebook pirate. Compared to cutting off the binding and making sure the paper pages all feed straight through the scanner ADF and then fixing the inevitable OCR errors, stripping out an ebook’s DRM is trivial. If ebook piracy is not yet a big deal, it isn’t because it’s difficult. It’s still because reading ebooks is borderline painful. I may not be typical, but if I can buy a used copy of a recent hardcover of interest for $10 or less, I’ll choose the hardcover rather than an ebook at any price. Sooner or later the readers will catch up to paper, and by then, well, we may see a 4 TB file called “10,000,000 EBooks About Everything” on the file-sharing networks, and it won’t even take an objectionable chunk of our 80 TB hard drives.

You think I’m kidding? Let’s compare notes in five or six years.

Odd Lots

  • Maybe I thought of it first. I don’t care. This guy did a great job. What He Said.
  • I was wrong about the Alice programming environment: There is in fact a version for Linux, though the developers admit it’s a little buggy and largely “proof-of-concept.” (Thanks to xuwande on LiveJournal for the tip.) To me, Alice looks a lot like the primordial Alto-based Smalltalk environment described in the seminal 1977 Xerox publication, Personal Dynamic Media, and I’ll install and explore the product (probably under Windows) as time allows.
  • And even though this is mostly a research project (with no promises or even strong hints that it will ever become a product) the Microsoft Courier looks mighty good to me from an ebook reader standpoint. The interface is a little busy for my tastes, but we’ll see how it goes. Maybe it would be a waste of the device to use it for nothing but reading ebooks, but I consider it my prerogative to waste whatever part of a device I don’t consider useful.
  • Maybe it’s not just me. As much as I like the Kodak EasyShare pocket cameras (Carol and I each have one) the EasyShare software is hideous and has given me nothing but trouble. This seems to be a trend. Can you imagine a new Mac app from a major vendor that still needs PowerPC emulation? Egad.
  • I guess it’s better for a church to be full of books than empty of prople, and these guys did not do a bad job.
  • Suddenly we have not one but two large sunspots visible at once, a situation not seen for over a year. Alas, I spun the dials earlier this morning, and 15 meters isn’t any livelier than it usually is here, which is to say, dead.
  • The Google Books Settlement may well be dead on legal grounds, something that doesn’t surprise me at all. What Google needs to do now is just publish an open invitation: “Anybody who holds rights to a printed work and wants the work to be posted on Google Books under the terms below, fill out this form. We’ll handle the scanning.” I’d be first in line in what I’m pretty sure would be a stampede that would sooner or later bring in all the the stubbornest skeptics. The key: I’m willing to admit that my out-of-print works aren’t worth much. 1% of a loaf is still better than no loaf at all.
  • ADDED 9/24/2009: Here’s a guy saying something that isn’t often said: Google Books is a fantastic research tool, and far from being evil, the Google Books settlement was just the first (now aborted) effort at something that simply has to be done.

Odd Lots

  • When I was a (much) younger man, I wanted a ’59 Chevy. Having seen this, I guess it’s just as well that I didn’t get one. (Thanks to Todd Johnson for the link.)
  • Micropayments may not allow small creators (like me) to make money. They may not allow big huge monstrous media outlets make money either. They may not allow anybody to make much money at all. Bummer. I did have hopes…
  • Oh, and the Long Tail may not be as long as we thought. Double bummer.
  • Has anyone reading this ever played with the Alice language/GUI system for teaching programming? (Alas, no Linux version. Triple bummer. ) Any opinions? I have nieces who are growing up so fast…
  • From Pete Albrecht comes word that Chicago’s Kiddieland is closing. My father took me there in 1955 while my mom was working. We had pizza and I went on all kinds of rides. That night I puked my guts out, and my mom thought I was coming down with polio. (They don’t call it the Scrambler for nothing.)
  • Here’s another thing I thought I might have imagined: World Of Giants , a b/w TV show from 1959 that went into syndication and used to run just before the 4:00 PM monster movie on Channel 7 in Chicago, circa 1965. At least two people must have watched this, and the other one must have been Irwin Allen. (And the guy who created the show must have read Richard Matheson.)
  • Although the sun’s face has been devoid of sunspots for 18 days running (and 212 days this year) there is a major sunspot on the other side of the Sun, which may rotate into view sometime tonight. I boggle a little to think that we can image a sunspot on the far side of the Sun. How this is done is interesting, and has little or nothing to do with light. Flying cars or no, we are living in the future!
  • From the Not Too Clear on the Concept Dept: I just nuked a spam message pitching “herbal testosterone.” Right.

Rant: The Case for Killing Newsweek

newsweek09212009.jpgI am aghast. Yesterday afternoon I was at Barnes & Noble, and at the checkout stand I saw what must be the most appalling magazine cover ever to appear on a mainstream US magazine. It wasn’t on Hustler or Soldier of Fortune. It was on the latest Newsweek.

I don’t dabble in politics much here, and I haven’t had much to say about the health care debate that others haven’t said many times, and probably better than I would. But I want to make my position clear: If health insurance reform collapses, it won’t be due to any vast, right-wing conspiracy, not with ol’ Newsweek leading the charge. Salon ran this piece back in August. Same gist. Similar stupid title.

There is a meme abroad, and while I don’t know if it has a name, I call it “Lammism.” The gist of the meme is that the elderly are an expensive extravagance, and money spent on them would be far better spent on younger people. This is not a new thing. I gave the meme its name in honor of former Democratic Colorado governor Richard Lamm, who famously said in 1984 that the ill elderly “have a duty to die…and let our kids build a reasonable life.” I guess it’s us or them, Dick, right?

It doesn’t matter that the Newsweek article is far more nuanced than its moronic title suggests. It doesn’t matter if “society needs to have this conversation with itself.” All that matters is that we are scaring the living crap out of our elderly, and if the elderly don’t sign on to health insurance reform, we don’t have a bill. Furthermore, if we dismiss their fears out of hand and pass a bill anyway, there could well be another party in control of Congress after the next election.

The elderly are not simply being paranoid. They know that Medicare is a very sweet deal, especially compared to the insurance situation of a great many younger people. They know that the government spends a huge amount of money on their care and sustenance. Given articles like those I mention above, they can be forgiven for fearing that when the government goes looking for health care cost savings and “waste,” that they will be first in line for close examination. They know that without fairly constant and often expensive medical intervention (paid for through Medicare) many of them would be disabled, dependent and suffering, and a great many more would simply be dead. Small wonder that they’re willing to believe the fearmongering lies of death panels that do not exist.

(The elderly might wave the magazine and reply: Yet.)

In Newsweek, we have a classic example of a print publication floundering to survive, and willing to risk it all on a misleading and alarmist cover line that bears little connection to the cover story. The plug on the cover of the latest issue isn’t connected to Granny. It’s connected to Newsweek.

Please join me while I pull it.

Google Feeds the Bookstore Bookburners

This morning’s Wired blog announced the reality of something I’ve been watching for and expecting for a long, long time: Bookstores have begun installing a significant and vapor-free mechanism (starring the long-but-no-longer vaporous Espresso Book Machine) to print books on demand. The books in question (for the time being) are out-of-copyright works scanned by Google into its Google Books system.

This is a fine thing, even though it probably spells the end of the road for book preservation efforts like my own re-creation of The New Reformation and The Pope and the Council the hard way: Scanning and OCR extraction of text followed by conventional layout. Google books are facsimile editions, complete with library stamps, marginal notations, flaws in hundred-and fifty-year-old paper, and the occasional squashed silverfish. I’d prefer new editions, but I’ll settle for facsimiles, and certain scholars would prefer to see a facsimile to make sure that nothing of the original author’s work has been left out or changed.

So no carping here, except to demand of Google: Keep going. You’ve got the means and the manpower, so expand the system to allow the ordering of any book–not simply the public domain ancients–for which a printable PDF image can be mounted on one of your servers. If this happens, there would be three big benefits:

  • Bookstores would have a new reason for people to come in the door: To browse the bookburner kiosks for interesting stuff (old and new both) that just isn’t popular enough to stock on physical shelves. We need bookstores, and this is the best recent innovation to surface that may help us keep them alive.
  • New (not ancient) titles without sufficient market to warrant physical book distribution (like my SF) would have a chance to get some bookstore presence, especially if hands-on bookburner systems create new sizzle for B&M bookstores.
  • Publishers who won’t release electronic editions of low-volume books for fear of file sharing may be willing to trust a PDF to Google to sell in print form.

It’s still unclear whether anything covered by the Google Books settlement with the Authors’ Guild will become available through the system anytime soon, but in truth, if it doesn’t, I’m not sure authors of our-of-print works will see any financial benefit from the settlement. Ebooks remain a geek enthusiasm. The volume is still in paper copies, and systems like this remove the wasteful overprinting and returns privileges that make conventional book publishing such a financially risky proposition.

Much to love here, and no evil that I can see. Let’s watch, and hope for the best.

Big Brother’s Ebooks

An interesting thing happened the other day: People turned on their Kindles to discover that several books they had purchased were just…gone. Amazon had without warning or explanation reached down the devices’ Whispernet connections and wiped all traces of the books, which were by George Orwell. I’m not sure anyone has ever spelled “irony” more clearly than this.

Amazon refunded the full price of all books to all those who had purchased them, of course, or this would have been theft. (Many think, with some justification, that it was still theft.) Yea, the world of Copyright Deathwish is getting stranger all the time.

What I find intriguing is that there are two versions of the story out there:

  1. The rightsholders of the books changed their minds and decided they didn’t want ebook editions on the market, and demanded that Amazon pull them.
  2. The people who licensed the ebook editions to Amazon did not have the right to do so.

Story #1, if true, reflects badly on both Amazon and the Orwell rightsholders. Books are published under contract, and if the author/rightsholder can negate a contract simply by changing his mind, it wasn’t much of a contract. On the other hand, if Amazon won’t hold a rightsholder to the terms of a contract, Amazon isn’t much of a publisher.

Story #2, if true (and I think it’s more likely) reflects badly on copyright law as we have it here in the US. It’s entirely possible that Amazon did what it considered due diligence on the purported rightsholders and decided that they were legitimate. Alas, US copyright law makes it diabolically difficult (and in many cases, simply impossible) to determine who the legal rightsholders to a work actually are. Rights change hands all the time, especially for popular works that have been around for a few decades, and double especially works by authors now deceased. Someone who once had rights to a work may not currently have them, or the rights may have been divided by medium, or the rights may be under dispute between heirs and former licensors, or among the heirs themselves.  Michael Jackson bought the rights to the Beatles’ canon in the US years ago; those rights are now “in play,” as they say.

The core of the problem is that there is no public record of ownership for copyrights, as there is for “real” property, like land or even cars. And in today’s environment of cheap server space, there’s no reason for that to be true. It should be possible to trace ownership of IP from the date it was registered down to the current day, with a legal requirement that changes in ownership be recorded, for copyright to be enforceable. There should be no ambiguity whatsoever about who owns what works in what media, and that record should be available to the general public. As long as it is not, incidents like this will continue to occur.

Amazon has pledged that they won’t do this again, but the damage has been done, both to Amazon’s Kindle system and to the idea of copyright itself. People who bought and paid for a book in good faith had that book taken away by copyright holders without notice or explanation. It may have been legal in the narrowest sense of “legal,” but that doesn’t matter. The incident adds yet another brick to a growing edifice of public opinion seeing copyright holders as arrogant, greedy bullies who can harass individuals on little or no evidence, and take back what they’ve offered to the public on a whim. Whether the perception is true or not (and to what degree) doesn’t really matter. Copyright, especially in an era of fast pipes and massive electronic storage, operates primarily on the honor system, which requires honor on both sides, and a legal framework making it possible for that honor to flourish. No honor, no copyright–and we’re much father down that road than most people think.

Odd Lots

  • Probably because I don’t work that much in the realm of historic images, I did not know that scanned or photographic copies of public-domain images are also in the public domain, at least in the US. I’ve been gathering scans of pre-1923 artwork for possible use on book covers for several years now, but the uncertain origin (and thus the copyright status) of most of the copies themselves has given me pause. I guess it’s time to end the pause and hit Play.
  • We’re currently in peak season for noctilucent clouds, which are high-altitude ice-crystal plumes of mysterious origin. Because they’re so high, they reflect sunlight long after the land beneath them is in night-time darkness. NLCs are appearing farther south recently for reasons not understood; predictably, it’s been ascribed to global warming, but some research indicates that southward excursions of NLCs are a proxy for low solar activity, which we’ve certainly been seeing the last couple of years. (Spaceweather has been covering NLCs a lot in recently weeks, with good photos.)
  • Here’s an R2D2-shaped toilet paper cozy. Hey, why is this any weirder than the crocheted teal-yarn poodle-nose cozies that my Aunt Josephine used to keep her toilet paper in?
  • I have a strong affection for Nebraska, and here’s an interesting article about abandoned farmsteads and structures in the western Great Plains portion of the state. (Thanks to Pete Albrecht for the link.)
  • A chap named Julian Beever may be the real master of 3-D sidewalk art. (Thanks to Roy Harvey for putting me on to him.)
  • We’ve now had cheap desktop CD-R burners for at least ten years, and the lifetime of the media is supposedly about that. Here’s a reasonable article on optical disc longevity that isn’t from an industry source. Has anybody noticed any burned (not stamped) data discs from the 90s going bad yet?
  • When we lived in Arizona, I used to climb an elderly neighbor’s thirty-foot-tall grapefruit tree to help her get the high-hanging fruit. I was in my early forties and that was the last time I ever climbed trees on a systematic basis. If I had to do it again, I would probably stay on the ground and build something like this.
  • Has Bucky Fuller’s Cloud 9 cities concept ever been used in SF? There’s not much to be found online about them, but in brief, he was talking about geodesic spheres as much as several miles in diameter, each containing whole cities that could float via thermal lift by virtue of as little as a degree or two of temperature delta between inside and outside. I’ve been imagining Cloud 9 spheres made of drumlin parts (with possibly a Hilbert drive ring around the sphere’s equator) and I’m a little surprised that I haven’t already seen the idea used in fiction, given that Bucky wrote about it in 1960.