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November 17th, 2014:

Why I’m Not On Twitter

On more than one occasion, a reader has emailed me to ask why he or she couldn’t see me on Twitter. My answer might have seemed inconceivable to them: I’m not on it. I never have been. I’ve researched it and thought about it and waffled about it almost since there was a Twitter. I still haven’t gone there. And at this point, I’m unlikely to.

One reason has always been that I don’t think in 140-character text bites. I’m a careful and methodical writer on both the fiction and nonfiction side, and being methodical (not to mention fair) requires more than 25 words, or five words and a hotlink. I’ve recently experimented with what I call nanoarticles on Facebook. I’m currently on Day 13 of a 50-entry meditation on writing over there, with individual entries running from 40-100 words or so. I’m still not sure it’s useful.

I like epigrams, and I’ve written a few. I’ve gotten hundreds of Twitter posts and retweets of my statement: “A good tool improves the way you work. A great tool improves the way you think.” A few have liked “If you see a pinata, remember that somewhere close by is a blindfolded person swinging a stick.” I’ve gotten some pushback on “Self-esteem is confidence without calibration.” (This leads me to believe it may be truer than I thought.) It might be in the family; my father said, “Kick ass. Just don’t miss.” I guess I’m good enough at epigrams to post them publicly, and Twitter is epigram-sized. That said, I don’t think I want to be known primarily for my epigrams. On Twitter, you pretty much have four choices:

  • Epigrams.
  • Forwarded links.
  • Retweets.
  • Shouting.

Note that novels, technical books, and long-form journalism are not on the list. I already do Odd Lots here on Contra. One cannot retweet without tweeting.

So then there’s Number Four.

“Shouting” is the short form. It’s almost always indignant shouting, self-righteous shouting, or outright hateful shouting. The basic Twitter mechanism is a sort of amplifier, and once the person doing the shouting gets above a certain level of popularity, a runaway feedback mechanism ensues. Boom! (Squeal?) We have a mob. And far oftener than you might think, we have a lynch mob.

It struck me a few months ago: Almost all the current Internet wars are Twitter wars. Gamergate could not have happened without Twitter. Neither could Donglegate. Mobs require the sort of immediate feedback that only immediate presence provides. Twitter is as close as you come online to immediate presence.

Twitter wars would be mere popcorn fodder (low comedy, actually) and easy to tune out if there weren’t real-world consequences. There are. Adria Richards eavesdropped on two dorks making dumb jokes at a conference, took photos without permission, and tweeted them. One of the two dorks was fired from his job, as (a little later) was Adria herself. People have objected angrily to a Twitter lynch mob’s reducing Rosetta mission scientist Matt Taylor to tearful apology over his dopey Hawaiian shirt. I have a suspicion that he had no choice but to apologize. It’s not easy getting a probe to a comet, and it wasn’t easy for Dr. Taylor to be part of the team. Had he not made obeisance to the lynch mob, he might well have lost his job, and in fact his entire career. Employers can be cowardly in this fashion without much cost to themselves: There are always 400 people waiting to fill the void that you make when your company shows you the door.

We have a phenomenon here related to what I call “comment harpies.” There is a psychology that feeds on outrage and hate. Comment harpies are this psychology’s manifestion in blog comment sections. On Twitter, the psychology is amplified way past absurdity, and becomes an online lynch mob. It’s so easy to join in: Are you an umbrage vampire? A recreational hater? Choose your hashtag and join the mob!

I don’t associate with such people, and I don’t want my participation on the Twitter system to be seen as validating what might well be the Internet’s most efficient hate machine. Whether Twitter would be good for my writing career is still an open question, and while Twitter leaves an ugly smell in my nostrils, I rarely say never. Attention amplifiers are very good things, if they can be controlled, and somehow prevented from melting down or blowing up in your face. This happens; there is an SF writer I once respected who has frittered away much of his reputation on laughably rabid Twitter attacks. This may be a calculated strategy: Is he deliberately trading the broad but shallow support of his casual readership for the slobbering adulation of a Twitter mob? If so, he may not be as smart as he looks.

I strive to always be smarter than I look. The smart path may be to avoid Twitter entirely. Time will tell. In the meantime, watching the Twitter lynch mobs at work has put new steel up my back. If some jackass umbrage vampire ever calls me some sort of ist or phobe, I will reply: “No, I’m not. Now back off.”

I might be thinking worse of them inside my head, but…civility matters. And civility is the exception on Twitter.