{"id":922,"date":"2009-09-28T22:50:40","date_gmt":"2009-09-29T02:50:40","guid":{"rendered":"http:\/\/www.contrapositivediary.com\/?p=922"},"modified":"2009-09-28T22:50:40","modified_gmt":"2009-09-29T02:50:40","slug":"holy-faces","status":"publish","type":"post","link":"https:\/\/www.contrapositivediary.com\/?p=922","title":{"rendered":"Holy Faces"},"content":{"rendered":"\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.contrapositivediary.com\/wp-content\/uploads\/2009\/09\/Station06_500Wide.jpg\" alt=\"Station06-500Wide.jpg\" height=\"732\" width=\"499\"\/><\/p>\n<p>I&#8217;ve been doing a 50th anniversary commemoration book for our Episcopal parish, and as part of the project I&#8217;ve been photographing the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Stations_of_the_cross\">Stations of the Cross<\/a> on the church walls. I&#8217;m strictly a hobby photographer, and admit a little sheepishly that I haven&#8217;t gone through my camera&#8217;s manual yet, page by page. So I found it a little startling when I aimed my new Canon G10 at the first station, and the camera identified Jesus&#8217; face. The Canon G10 identifies faces for a couple of reasons, from eliminating redeye to starting the timer when an additional face (presumably the photographer&#8217;s) enters the field of view. It puts brackets around them when it identifies them.<\/p>\n<p>The station depictions at our church are <em>not<\/em> photorealistic. They are done in the distinctive Mexican primitive style, by the well-known Mexican-American artist Mario Larrinaga, who (among many other things) was a matte artist for the original 1933 film <em>King Kong<\/em>. The stations are painted icons, deliberately lacking any suggestion of a third dimension (so that they cannot be mistaken for the biblically prohibited &#8220;graven images&#8221;) and as such they resemble cartoons more than portraits.<\/p>\n<p>It got me thinking about how cameras identify faces. As I worked my way around the church, a pattern began to emerge. For the image above (Station #6, depicting Jesus, Mary, and Veronica) the camera tagged Jesus&#8217; face twice&#8211;once in person and once on Veronica&#8217;s veil&#8211;but did not consistently identify the face of the Blessed Mother. Veronica did better, but not nearly as well as Jesus. The brackets flickered and did not stay on consistently.<\/p>\n<p>When I got home, I tried a few other things. I brought up Google Images and aimed the camera at screen images of the Mona Lisa, various Rembrandt portraits, and a few other things. The camera got most of them. I then pulled out a couple of Lynda Barry&#8217;s books, spread them open with bookweights, and tried to get the G10 to recognize Marlys and Maybonne. No deal, but some of their friends were picked up.<\/p>\n<p>These seem to be the criteria:<\/p>\n<ul>\n<li>Faces need eyeballs. Marlys always has her Far Side glasses on. No eyeballs.<\/li>\n<li>Big eyes are better than small eyes, all else being equal. This seems to be Mary&#8217;s problem in the station image above.<\/li>\n<li>Faces need to be mostly human-shaped. Funny animals don&#8217;t cut it. But then again, neither did any of the characters in PVP. Tycho and Gabe were similarly snubbed. (It was odd to think of Marlys&#8217; brother Freddie as being more &#8220;realistic&#8221; than Gabe.)<\/li>\n<li>Faces need to be looking more or less straight at the camera.<\/li>\n<\/ul>\n<p>This last criterion seemed to be the most significant. Profiles were never recognized, and three-quarter views only about half the time. The closer a face was to dead-on, the better the camera recognized it.<\/p>\n<p>So. Got redeye problems? What Would Jesus Do? Get a G10. And look straight at the camera.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve been doing a 50th anniversary commemoration book for our Episcopal parish, and as part of the project I&#8217;ve been photographing the Stations of the Cross on the church walls. I&#8217;m strictly a hobby photographer, and admit a little sheepishly that I haven&#8217;t gone through my camera&#8217;s manual yet, page by page. So I found [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[51],"class_list":["post-922","post","type-post","status-publish","format-standard","hentry","category-ideasandanalysis","tag-photography"],"_links":{"self":[{"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/posts\/922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=922"}],"version-history":[{"count":0,"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/posts\/922\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}