{"id":3578,"date":"2016-01-17T19:51:39","date_gmt":"2016-01-18T02:51:39","guid":{"rendered":"http:\/\/www.contrapositivediary.com\/?p=3578"},"modified":"2016-01-17T21:02:37","modified_gmt":"2016-01-18T04:02:37","slug":"ten-gentle-opportunities-go-get-it","status":"publish","type":"post","link":"https:\/\/www.contrapositivediary.com\/?p=3578","title":{"rendered":"Ten Gentle Opportunities: Go Get It!"},"content":{"rendered":"<p><a href= \"http:\/\/www.amazon.com\/Ten-Gentle-Opportunities-Jeff-Duntemann-ebook\/dp\/B01AQ1549E\/\" target=\"_blank\"><img src= \"http:\/\/www.contrapositivediary.com\/wp-content\/uploads\/2016\/01\/10_Gentle_Opportunities_Revision_Final_Adjusted_With_Type___500_Wide.jpg\" alt= \"10-Gentle-Opportunities-Revision-Final-Adjusted-With Type - 500 Wide.jpg\" height=\"750\" width=\"500\" \/><\/a><\/p>\n<p>In case you hadn&#8217;t gotten the word yet, this morning Amazon cleared my upload of <em><a href= \"http:\/\/www.amazon.com\/Ten-Gentle-Opportunities-Jeff-Duntemann-ebook\/dp\/B01AQ1549E\/\" target=\"_blank\">Ten Gentle Opportunities<\/a><\/em>, and it&#8217;s now in the catalog, ready to buy for $2.99, or as part of your Kindle Unlimited subscription. No DRM. Cover by the utterly amazing Blake Henriksen. It&#8217;s in a genre that barely exists anymore: Humorous SF and fantasy, with a pinch of satire for those with ears to listen. I tried to shop it to tradpub imprints for a couple of years after I finished it in 2012. An editor at a major press told me that Douglas Adams did SF humor so well that nobody else can ever hope to compete.<\/p>\n<p>Huh? That&#8217;s like saying that Heinlein did hard SF so well that nobody else should bother to try. Well, dammit, I&#8217;m competing. More than one of my beta readers said the book kept them up all night, and one called it &#8220;pee-your-pants funny.&#8221; Me, I consider that a win.<\/p>\n<p>The book has an interesting history. I&#8217;ve been fooling with it for almost fifty years.<\/p>\n<p>Here&#8217;s the story. Back in 1967, when I was 15, I got an idea: What if there were a sort of partial or incomplete magician who could change magical spells, but not create them? What sort of mischief could he get into? I called him The Spellbender, and started writing a story about him. I shared it with the writer girl down the street, and we talked about collaborating on it. Nothing came of that, because she and I had utterly incompatible understandings of magic. She saw it as a sort of moody, ethereal, hard-to-control spiritual discipline. I saw it as alternative physics. (We had other issues as well; when I finally meet God I&#8217;m going to ask him if He could please flash the human firmware and get rid of puberty.)<\/p>\n<p>Not much happened on the story. I had a short catalog of gimmicks and little else. The Spellbender had a sidekick who was an incompetent djinn named Shrovo. Not only could he not remember how many wishes he gave people, he simply couldn&#8217;t count, and so had had his djinn license revoked for reckless and excessive wishgranting. Sure, it sounds dumb. I was 15.<\/p>\n<p>I eventually got bored with it and tossed it back in the trunk, where it stayed until 1978. That year I read it over, dumped Shrovo, and told another tale about the Spellbender, which I presented at the Windy City Writers&#8217; Workshop, in front of luminaries like George R. R. Martin and Gene Wolfe. Nobody liked it. Back in the trunk it went.<\/p>\n<p>Come 1983, I had become a close friend of Nancy Kress, and we surprised one another by collaborating on a novelette that was published in <em>Omni<\/em> and drew a surprising amount of favorable buzz. If we could pull off &#8220;Borovsky&#8217;s Hollow Woman,&#8221; well, what <em>else<\/em> could we do? Nan suggested a contemporary fantasy, and I was quick to sketch out still another take on the spellbender concept, adding in the sort of universe-jumping gimmick that Sprague de Camp and Fletcher Pratt had used to such good effect in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Harold_Shea\" target=\"_blank\">the Harold Shea stories<\/a>. A spellbender who had gotten on the wrong side of a magician jumps universes to finds a place to hide, and lands in a small-town advertising agency in our near future. Nan was working for precisely such an agency at the time, and told the story of a staff meeting at which someone was talking emphatically about tangential opportunities, which Nan heard as &#8220;ten gentle opportunities.&#8221; I knew a great title when I saw one, and grabbed it.<\/p>\n<p>I also drew on a novelette I wrote in 1981, which centered on a war in a robotic copier factory, and an AI named Simple Simon.<\/p>\n<p>We tried. We really did. But as it turned out, Nan could move in a hard SF world a great deal more nimbly than I was able to move in a fantasy world. Shades of Lee Anne down the street. (Puberty, at least, was no longer an issue.) After a few thousand words she ceded me what we had and we decided to set it aside. Back in the trunk it went, this time for almost 25 years.<\/p>\n<p><em>The Cunning Blood<\/em> came out in hardcover in 2005, and garnered enough rave reviews (including one from Glenn Reynolds and another from Tom Easton at <em>Analog<\/em>) to make me feel like I should start something else. As was my habit, I went digging around in my trunk for concepts. Three aborted novels came to hand: My cyberpunk experiment, <em>The Lotus Machine<\/em>; a gimmicky hard SF concept called <em>Alas, Yorick<\/em>; and <em>Ten Gentle Opportunities<\/em>. <em>The Lotus Machine<\/em> went back in the trunk almost immediately; by now I understand that, as cyber as I might be, punk remains forever beyond my powers. I spent a fair amount of time reading and meditating on the 14,000 words I had of <em>Alas, Yorick<\/em>, but ultimately went with <em>Ten Gentle Opportunities<\/em>. Why? I like humor and I&#8217;m intrigued by the challenges of writing it. I had an ensemble of interesting characters, and the very rich vein of &#8220;fish out of water&#8221; humor to mine. And&#8211;gakkh&#8211;it was <em>fun!<\/em> Can&#8217;t have that now; we&#8217;re <em>serious<\/em> SF writers&#8230;<\/p>\n<p>Basically, I went with fun. And it was.<\/p>\n<p>I wrote three or four chapters in 2006, then got distracted by another concept that I&#8217;ve mentioned here, <em>Old Catholics<\/em>. TGO didn&#8217;t exactly go back in the trunk, but I didn&#8217;t touch it again until February 2011. That&#8217;s when I took it to this new writer&#8217;s group I&#8217;d joined. I submitted the first thousand words or so for critique and asked them if the concept was worth pursuing. The answer was yes, and it was unanimous.<\/p>\n<p>I took it to Walter Jon Williams&#8217; Taos Toolbox workshop that summer, and got my momentum back. After that it was my main writing project until I finished it in November 2012. I asked my nonfiction agent to shop it, and some shopping got done, but there were no nibbles. So several months ago I took it back and decided to publish it myself.<\/p>\n<p>Oh&#8211;and then we kicked into high gear with our move to Phoenix. Writing of all sorts went on the back burner.<\/p>\n<p>Which brings us to the current day. There&#8217;s a lot to be done yet here in the new house, but the end is at least in sight. We&#8217;re far enough along that I can afford to take a couple of days a week to Just Write. Which brings me (again) to the question of what I do now.<\/p>\n<p>Truth is, I don&#8217;t know. But I&#8217;ll think of something.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In case you hadn&#8217;t gotten the word yet, this morning Amazon cleared my upload of Ten Gentle Opportunities, and it&#8217;s now in the catalog, ready to buy for $2.99, or as part of your Kindle Unlimited subscription. No DRM. Cover by the utterly amazing Blake Henriksen. It&#8217;s in a genre that barely exists anymore: Humorous [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[33,17,18,20],"class_list":["post-3578","post","type-post","status-publish","format-standard","hentry","category-daybook","tag-books","tag-ebooks","tag-sf","tag-writing"],"_links":{"self":[{"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/posts\/3578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3578"}],"version-history":[{"count":2,"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/posts\/3578\/revisions"}],"predecessor-version":[{"id":3580,"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/posts\/3578\/revisions\/3580"}],"wp:attachment":[{"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}