{"id":5202,"date":"2024-03-20T13:11:36","date_gmt":"2024-03-20T20:11:36","guid":{"rendered":"http:\/\/www.contrapositivediary.com\/?p=5202"},"modified":"2024-03-20T13:15:34","modified_gmt":"2024-03-20T20:15:34","slug":"playlist-classical-triumph","status":"publish","type":"post","link":"http:\/\/www.contrapositivediary.com\/?p=5202","title":{"rendered":"Playlist: Classical Triumph"},"content":{"rendered":"<p>I like happy endings. If you\u2019ve read any of my fiction, you know that I write them. Bummers are popular in literary fiction, and were when I got my liberal arts education fifty years ago. (This is why I don\u2019t write literary fiction. That shoe just don\u2019t fit.) But this applies to music as well as fiction. The three characteristics I look for in music are these: <em>Melody<\/em>, <em>Harmony<\/em>, and <em>Energy<\/em>. I\u2019ve enjoyed an occasional sad song (like \u201cThe Parting Glass\u201d) for various reasons, but if a sad song has none of those three characteristics, I won\u2019t buy it\u2014and if there\u2019s a skip button, my index finger finds it at some significant fraction of c.<\/p>\n<p>Energy is the one I get the most pushback about. Who doesn\u2019t like a peaceful tinkling Mozart piano piece? Well, if I can\u2019t hum it\u2026me. I have always used music to rev me up and break me out of blocks in my thinking or especially my writing. Energy in music is a <em>very<\/em> big thing for me.<\/p>\n<p>So in today\u2019s entry I present a playlist of some classical pieces that carry a special grip on my imagination: the music of <em>triumph<\/em>. No gentle fade at the end. Uh-uh. I want a musical explosion that makes me want to stand up and cheer. Yes, I\u2019m that kind of screwball. If you didn\u2019t know that already, well, this playlist will make it abundantly clear. <\/p>\n<p>All links are to performances on YouTube. There are many others available.<\/p>\n<ul>\n<li><em><a href=\"https:\/\/www.youtube.com\/watch?v=dfe8tCcHnKY\">Also Sprach Zarathustra<\/a><\/em> (Thus Spoke Zoroaster), by Richard Strauss, 1896. This one has special significance for me, because it\u2019s the unforgettable opening piece in <em>2001: A Space Odyssey<\/em>, which may be my favorite film of all time\u2014and the film I asked Carol out to see for our first date in 1969.<\/li>\n<li>Symphony #3, <a href=\"https:\/\/www.youtube.com\/watch?v=eW-7S9fjyfU\"><em>Organ<\/em><\/a>, final movement, Maestoso, by Camille Saint-Saens, 1886. It was years after I saw the 1995 film <em>Babe<\/em> that I first heard this larger work from which the <em>Babe<\/em> theme borrowed. The thunderous organ sequences are like nothing else I\u2019ve heard in classical music. It opens with an explosion, and ends with an even bigger explosion. What\u2019s not to love?<\/li>\n<li><em><a href=\"https:\/\/www.youtube.com\/watch?v=apsrbm_PJa8\">Building the Crate<\/a><\/em>, by John Powell, from the <em>Chicken Run<\/em> soundtrack, 2000. I\u2019ve mentioned this one before, and whereas it strikes some people as slightly goofy in spots, it\u2019s definitely stirring. There\u2019s a touch of klezmer in it, and for a few seconds a chorus (if that\u2019s the word) of\u2026<em>kazoos<\/em>. It\u2019s all about the chickens triumphing, something one doesn\u2019t generally associate with chickens. But triumph they do, with callbacks to films <em>The Great Escape<\/em> and <em>The Flight of the Phoenix<\/em>.<\/li>\n<li><em>Lincolnshire Posy<\/em> 6: <a href=\"https:\/\/www.youtube.com\/watch?v=j7vjycaVvzM\">Lost Lady Found<\/a>, by Percy Grainger, 1937. Short and to the point, and definitely gets across the triumph of finding a beloved person after a long and difficult search.<\/li>\n<li>The Planets: <a href=\"https:\/\/www.youtube.com\/watch?v=Nz0b4STz1lo\"><em>Jupiter<\/em><\/a>, by Gustav Holst, 1917. If you\u2019ve heard anything in this playlist, you\u2019ve heard ol\u2019 Jupe. Although subtitled \u2018The Bringer of Jollity\u201d (is that still a word?) its utterly explosive ending makes me consider it \u201cThe Bringer of Triumph.\u201d<\/li>\n<li><em><a href=\"https:\/\/www.youtube.com\/watch?v=V8jbbmfDmDo\">Russian Sailors\u2019 Dance<\/a><\/em>, by Reinhold Gliere, 1927. Written as part of a ballet called <em>The Red Poppy<\/em>, it starts out low and slow, gathering speed and force as it goes, until it reaches a manic but completely satisfying explosion at the end. <\/li>\n<li><em><a href=\"https:\/\/www.youtube.com\/watch?v=XQ9ceJy3P4c\">Towards a New Life<\/a><\/em>, by Josef Suk, 1931. I never heard this until KBAQ played it a couple of years ago. It deserves <em>way<\/em> more than obscurity. A triumphant march for full orchestra, it has roots in Czech nationalism and lyrics in the Czech language for which there is no English translation. (The linked performance is instrumental only.) Some think the trumpet solo opening is too long; if you agree, skip the first 90 seconds.<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=89jOPAGJq-M\"><em>Symphony #9. The New World: Finale<\/em><\/a>, by Antonin Dvorak, 1895. There are a few slow parts in this finale to Dvorak\u2019s all-time best work, but they act to frame the explosive energy of the rest and make it stand out by contrast. That\u2019s ok; sometimes we have pause for a bit to take a breath, in our lungs and sometimes in our lives. No matter; the explosion at the end makes the quiet parts worthwhile.<\/li>\n<li><em><a href=\"https:\/\/www.youtube.com\/watch?v=FncXqa14ANE\">Pictures at an Exhibition<\/a><\/em>: The Great Gate of Kiev, finale, by Modest Mussorgsky, 1874. In spite of the countless times I\u2019ve heard it, this piece continues to bring a tear to my eye, often as not. Especially when preceded by the creepy and subversively diabolical movement \u201cBaba Yaga\u2019s Hut,\u201d (as here) to me it symbolizes humanity staring down Evil, kicking its ass across the galaxy twice, and then dropping it down the black hole at the galaxy\u2019s core, where it belongs and will trouble us no more. Triumph you want? <em>Triumph<\/em> I\u2019ll give you!<\/li>\n<\/ul>\n<p>That\u2019s all for now. Got any more? I\u2019m always in the market for music like this.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I like happy endings. If you\u2019ve read any of my fiction, you know that I write them. Bummers are popular in literary fiction, and were when I got my liberal arts education fifty years ago. (This is why I don\u2019t write literary fiction. That shoe just don\u2019t fit.) But this applies to music as well [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5202","post","type-post","status-publish","format-standard","hentry","category-noneoftheabove"],"_links":{"self":[{"href":"http:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/posts\/5202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5202"}],"version-history":[{"count":2,"href":"http:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/posts\/5202\/revisions"}],"predecessor-version":[{"id":5204,"href":"http:\/\/www.contrapositivediary.com\/index.php?rest_route=\/wp\/v2\/posts\/5202\/revisions\/5204"}],"wp:attachment":[{"href":"http:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5202"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.contrapositivediary.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}